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Showing theatre results: From 38 to 48
BELOVED - Directed by Delilah Saul. Delilah is a sex worker and journalist-turned-filmmaker in pursuit of answers to a question that’s the central obsession of her life: What needs to change in society in order for sex workers to more easily find relationships where they are loved and supported, just the way they are.
The story of the 1975 groundbreaking case of Joan Little who was the first woman in U.S. history to be acquitted for using deadly force to resist sexual assault. Joan was a Black incarcerated woman in North Carolina who killed her white prison guard who was trying to rape her. Little’s murder trial became a cause celebre bringing together prominent advocates, black power activists, white feminists and anti-death penalty activists while catalyzing a nationwide discussion on sexual assault. With rare archival footage, contemporary interviews and the folk anthem that carried her cause, Free Joan Little captures the spirit of resistance that made history.
Executive produced by Dominique Jackson, CALL ME MICKY follows larger-than-life New Jersey native Micky Angelo Petrillo as he barrels into his next act after transitioning at 59. Now 62, he navigates reinvention, unexpected friendships, and the everyday absurdity of finally being seen — with humor, candor, and no intention of doing it quietly.
How does someone go from not communicating for 25 years to narrating her life story? Buried Under Years of Dust traces the remarkable journey of Emily Grodin, a woman silenced by autism, finally finding her voice. Despite Emily’s increasing frustration, physical outbursts, and violent meltdowns, Emily’s parents never abandoned hope that their daughter would one day share her thoughts, feelings, and deep intelligence. Then, using a controversial assisted-typing technique, Emily had an extraordinary breakthrough. One of her first sentences was “I have been buried under years of dust.” In a time when American health officials call into question the value and contributions of people with autism, Emily has the mic, and she’s got a lot to say.
BEA ARTHUR: The Documentary - “I’VE DONE EVERYTHING BUT PORN” reveals a more personal Bea Arthur: intensely private yet remarkably compassionate, wickedly funny, fiercely intelligent and deeply committed to causes she believed in. Featuring a never-before-seen interview, the film offers audiences a rare opportunity to hear the Emmy and Tony Award-winning star reflect on her life, work and extraordinary career.
A battle is being waged for your soul from an office in hell! Witness a fast-paced, tour-de-force performance in this acclaimed adaptation of C.S. Lewis’ satiric masterpiece. This international hit offers a faithful stage adaptation of Lewis’ The Screwtape Letters, following Screwtape, a senior tempter in Hell, as he schemes to capture the soul of an unsuspecting human on earth and reveals spiritual warfare in vivid, humorous and powerful ways.
Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.
Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.
Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.
Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.
Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.
Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.
Immerse yourself in the world of Undertale, the hit indie game. A 25-piece orchestra performs the fan-favorite soundtrack, with gameplay footage on NJPAC’s big screen. You’ll embark on a musical journey through strange lands: The Ruins, Snowdin, Waterfall, Hotland and all the way to New Home. Revisit iconic characters, epic battles and emotional moments. It’s the story you love, experienced in a whole new way. Wear your best Undertale cosplay for even more fun!
Immerse yourself in the world of Undertale, the hit indie game. A 25-piece orchestra performs the fan-favorite soundtrack, with gameplay footage on NJPAC’s big screen. You’ll embark on a musical journey through strange lands: The Ruins, Snowdin, Waterfall, Hotland and all the way to New Home. Revisit iconic characters, epic battles and emotional moments. It’s the story you love, experienced in a whole new way. Wear your best Undertale cosplay for even more fun!
