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Showing theatre results: From 38 to 48
A group of dads building a movement to support their trans and gender expansive kids are forced to make an impossible choice amid a shifting political landscape: stay and fight or flee the country.
A haunting yet life-affirming film about reframing pain and the radical power of choice. It follows grieving mother Iris Haim as she mourns the loss of her son in the aftermath of October 7th and forms an unexpected bond with Dr. Edith Eger—a renowned psychologist, author, and Auschwitz survivor—whose hard-won wisdom guides her toward transformation.
1972. A landmark trial shakes France as young Marie-Claire is prosecuted for having an illegal abortion with the help of her mother and two other defendants. In a courtroom governed by men, the verdict seems inevitable: prison for the women, while the rapist goes unpunished. Their last hope lies with Gisèle Halimi, a fearless lawyer known for openly challenging patriarchy and confronting the system that condemns victims and lets perpetrators walk free. Alongside the accused, Gisèle will not only change their fate, but, against all odds, transform the condition of women forever.
Against political resistance and industry skepticism, Luis Valdez pushes Chicano storytelling from the fields to the film screen with Zoot Suit and La Bamba, crafting iconic works that challenge, celebrate, and expand America’s story.
Far Out: Life On & After the Commune traces fifty years in the lives of a group of New England writers, activists and artists. It conveys how the 1960s counterculture, embodied in two rural communes, transformed America. The story begins when a group of radical journalists leave New York for a new life in the country and follows them from the back-to-the-land movement to a new discovery of political commitment.
We Met at Grossinger’s is an immersive journey through the Jewish Catskills—once known as the Borscht Belt—reviving the iconic resort that inspired Dirty Dancing and defined an era of Jewish American life.
Many know Woody Guthrie as the quintessential Oklahoman balladeer who wrote “This Land Is Your Land,” but few are aware that Jewish culture had a hand in shaping his private life and career. From award-winning filmmaker Steven Pressman (The Levys of Monticello), Dust Bowls and Jewish Souls explores Guthrie’s moving relationship with his mother-in-law, prominent Yiddish poet Aliza Greenblatt, and the impact she had on his songwriting.
A rural Iowa schoolteacher becomes a national voice against racism after leading a controversial 1968 lesson in discrimination with her all-white third-grade class. Now nearly 90, she refuses to hold back amid today’s fights about race, history, and power after a lifetime of speaking out.
A battle is being waged for your soul from an office in hell! Witness a fast-paced, tour-de-force performance in this acclaimed adaptation of C.S. Lewis’ satiric masterpiece. This international hit offers a faithful stage adaptation of Lewis’ The Screwtape Letters, following Screwtape, a senior tempter in Hell, as he schemes to capture the soul of an unsuspecting human on earth and reveals spiritual warfare in vivid, humorous and powerful ways.
Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.
Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.
Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.
