(ATLANTIC CITY, NJ) -- Atlantic County Film Club & Eammon Films present a screening of The Chronology of Water at Anchor Rock Club on Monday, May 18, 2026 at 7:30pm. Based on the beloved memoir by Lidia Yuknavitch, this film is a raw and unflinching portrait of survival, sexuality, and self-invention.
Following Brady Corbet's Vox Lux and the recent horror sequel Smile 2, David Lowery's Mother Mary is another dark drama centred on a troubled female pop star. It also joins Peter Strickland's In Fabric and the "Weird Tailor" segment of Amicus anthology Asylum to form a sub-genre of horror movies featuring supernatural fabric.
Hitchcock's Psycho is often cited as the first slasher movie but the tropes of that sub-genre go right back to the 1930s. The likes of Michael Myers and Jason Vorhees are essentially descendants of Kharis, the shambling antagonist of Universal's Mummy series of the '30s and '40s. In recent decades Universal has taken their Mummy property out of the horror genre and into the realm of blockbuster action, in a series of hit films starring Brendan Fraser and a flop headlined by the usually reliable Tom Cruise.
(LAMBERTVILLE, NJ) -- Join the Acme Screening Room and Flemington DIY on Saturday, May 16, 2026 for the documentary "TCB: The Toni Cade Bambara School of Organizing" plus live Jazz with the Jerome Jennings Quintet. The event begins at 6:00pm.
Following Hamnet and "Wuthering Heights", Maggie Gyllenhaal's The Bride! is the latest in a line of awful movies inspired by the work of great English writers. It's Mary Shelley here of course, but Gyllenhaal also plucks from James Whale's Bride of Frankenstein. Whale cast Elsa Lanchester in the dual roles of Shelley and the titular monster, and Gyllenhaal pulls the same trick here with Jessie Buckley. That's where the similarities end however, as The Bride! has more in common with '70s exploitation flicks and '90s horror comedies than either Shelley's novel or the Universal monster movies it inspired.
Following Brady Corbet's Vox Lux and the recent horror sequel Smile 2, David Lowery's Mother Mary is another dark drama centred on a troubled female pop star. It also joins Peter Strickland's In Fabric and the "Weird Tailor" segment of Amicus anthology Asylum to form a sub-genre of horror movies featuring supernatural fabric.
Hitchcock's Psycho is often cited as the first slasher movie but the tropes of that sub-genre go right back to the 1930s. The likes of Michael Myers and Jason Vorhees are essentially descendants of Kharis, the shambling antagonist of Universal's Mummy series of the '30s and '40s. In recent decades Universal has taken their Mummy property out of the horror genre and into the realm of blockbuster action, in a series of hit films starring Brendan Fraser and a flop headlined by the usually reliable Tom Cruise.
Following Hamnet and "Wuthering Heights", Maggie Gyllenhaal's The Bride! is the latest in a line of awful movies inspired by the work of great English writers. It's Mary Shelley here of course, but Gyllenhaal also plucks from James Whale's Bride of Frankenstein. Whale cast Elsa Lanchester in the dual roles of Shelley and the titular monster, and Gyllenhaal pulls the same trick here with Jessie Buckley. That's where the similarities end however, as The Bride! has more in common with '70s exploitation flicks and '90s horror comedies than either Shelley's novel or the Universal monster movies it inspired.
Every cinephile goes through a Giallo phase at some point. How could they not? The Italian sub-genre has everything you could want from cinema: sex, violence, funky music, eye-popping '70s costumes and production design, and lashings of style. That said, if you demand logic, Giallo probably isn't for you.
If the premise of Thrash sounds familiar you might have run across the movie when it was announced back in 2024 under its original title "Beneath the Storm." Or perhaps in 2025, when it was retitled "Shiver" and set for a theatrical release in August of that year. Now the movie has been renamed once again and its cinema release scrapped. Sony have sold it off to Netflix, who have dumped it on their platform with all the ceremony of an unwanted goldfish being flushed down a toilet.
