Irish writer/director Kate Dolan's excellent 2022 feature debut You Are Not My Mother marked her as a horror filmmaker to keep an eye on. Blumhouse certainly had their eyes on Dolan, snapping her up to direct a movie in the M3GAN franchise. The result is Soulm8te (the movie itself mocks that clunky title). An unfair victim of the disastrous box office performance of last year's M3GAN 2.0, Dolan's film was pulled from its theatrical slot and dumped onto VOD. Any connections to the M3GAN universe that may have previously existed have been scrubbed, resulting in a standalone killer sexbot thriller.
Long before actor Dylan Pitanza would go on to work on a Netflix film alongside stars like Sunny Sandler, Melanie Lynskey, Max Greenfield, Bebe Neuwirth and Steve Buscemi, he was a New Jersey teenager discovering his passion for acting on local stages.
We've gotten so many shark movies in the last few years that at this point they've all begun to blur into one big mess of chum. The core issue with this crowded sub-genre is that there simply aren't enough variations on the theme. The best of the recent crop, Dangerous Animals, worked because it gave us a human serial killer who was arguably scarier than the sharks. Every other recent shark movie carries on the tradition set by 2003's Open Water, that of characters becoming stranded in a body of water that unfortunately for them, happens to be infested with man-eaters (watch out or they'll chew you up).
Pregnancy horror movies fall into one of two categories. There are those, like Rosemary's Baby, that play out during the pregnancy term, and there are others, like It's Alive, that focus on the horrors that arise once the child is born. They all tend to share a female protagonist's fear that her child, whether it's inside or outside of her womb, is something monstrous.
Irish writer/director Kate Dolan's excellent 2022 feature debut You Are Not My Mother marked her as a horror filmmaker to keep an eye on. Blumhouse certainly had their eyes on Dolan, snapping her up to direct a movie in the M3GAN franchise. The result is Soulm8te (the movie itself mocks that clunky title). An unfair victim of the disastrous box office performance of last year's M3GAN 2.0, Dolan's film was pulled from its theatrical slot and dumped onto VOD. Any connections to the M3GAN universe that may have previously existed have been scrubbed, resulting in a standalone killer sexbot thriller.
We've gotten so many shark movies in the last few years that at this point they've all begun to blur into one big mess of chum. The core issue with this crowded sub-genre is that there simply aren't enough variations on the theme. The best of the recent crop, Dangerous Animals, worked because it gave us a human serial killer who was arguably scarier than the sharks. Every other recent shark movie carries on the tradition set by 2003's Open Water, that of characters becoming stranded in a body of water that unfortunately for them, happens to be infested with man-eaters (watch out or they'll chew you up).
Pregnancy horror movies fall into one of two categories. There are those, like Rosemary's Baby, that play out during the pregnancy term, and there are others, like It's Alive, that focus on the horrors that arise once the child is born. They all tend to share a female protagonist's fear that her child, whether it's inside or outside of her womb, is something monstrous.
