Pregnancy horror movies fall into one of two categories. There are those, like Rosemary's Baby, that play out during the pregnancy term, and there are others, like It's Alive, that focus on the horrors that arise once the child is born. They all tend to share a female protagonist's fear that her child, whether it's inside or outside of her womb, is something monstrous.
(TEANECK, NJ) -- The Teaneck International Film Festival (TIFF) is proud to announce the inauguration of the Sandi Klein Creative Woman in Film Award, an annual honor recognizing an exceptional woman whose work in film demonstrates originality, artistic excellence, powerful storytelling, courage, leadership, and a commitment to meaningful social impact.
(RED BANK, NJ) -- You ever seen a... screening of the greatest comedy to ever hit the skies? Well surely you’ve seen Airplane! — but not like this! Count Basie Center for the Arts has clearance, Clarence, to show the beloved comedy classic, Airplane! on the BIG screen joined live by two stars of the film! The event takes place Friday, October 9, 2026 at 7:30pm.
2023's excellent dramedy Amanda introduced us to the Italian double act of writer/director Carolina Cavalli and her leading lady Benedetta Porcoroli. After a brief flirtation with American cinema (Cavalli co-wrote Babak Jalali's Fremont while Porcoroli had a role in the Sydney Sweeney horror movie Immaculate) the duo have returned to Italy to reunite for The Kidnapping of Arabella, and they've brought an American star back with them in the form of Chris Pine.
Christopher Nolan's The Odyssey is a lot like Odyssey's 'I Got the Melody'. The equivalent of the Roots Suite here is the portion of the movie that follows Odysseus (Matt Damon) and his men as they try to make their way back home following the sacking of the city of Troy. You don't need to have read Homer to be familiar with its various episodes, as they're practically ingrained in the minds of anyone who grew up in the western world. We all learned about Odysseus and his crew sneaking into Troy by hiding in a wooden horse in school, and we've all seen Ray Harryhausen's classic stop motion takes on the mythical monsters of Greek lore. In these scenes Nolan takes us back to those days listening intently to teachers or staring wide-eyed at a TV screen on a Sunday afternoon. Largely eschewing digital effects, Nolan puts the fantastical back into the fantasy genre.
Pregnancy horror movies fall into one of two categories. There are those, like Rosemary's Baby, that play out during the pregnancy term, and there are others, like It's Alive, that focus on the horrors that arise once the child is born. They all tend to share a female protagonist's fear that her child, whether it's inside or outside of her womb, is something monstrous.
2023's excellent dramedy Amanda introduced us to the Italian double act of writer/director Carolina Cavalli and her leading lady Benedetta Porcoroli. After a brief flirtation with American cinema (Cavalli co-wrote Babak Jalali's Fremont while Porcoroli had a role in the Sydney Sweeney horror movie Immaculate) the duo have returned to Italy to reunite for The Kidnapping of Arabella, and they've brought an American star back with them in the form of Chris Pine.
Christopher Nolan's The Odyssey is a lot like Odyssey's 'I Got the Melody'. The equivalent of the Roots Suite here is the portion of the movie that follows Odysseus (Matt Damon) and his men as they try to make their way back home following the sacking of the city of Troy. You don't need to have read Homer to be familiar with its various episodes, as they're practically ingrained in the minds of anyone who grew up in the western world. We all learned about Odysseus and his crew sneaking into Troy by hiding in a wooden horse in school, and we've all seen Ray Harryhausen's classic stop motion takes on the mythical monsters of Greek lore. In these scenes Nolan takes us back to those days listening intently to teachers or staring wide-eyed at a TV screen on a Sunday afternoon. Largely eschewing digital effects, Nolan puts the fantastical back into the fantasy genre.
Hundreds of thrillers have been centred on the idea of a vulnerable young woman being drawn into a life of crime by a handsome young scoundrel. Writer/director Georgia Bernstein's feature debut Night Nurse might be the first erotic thriller in which a young woman finds herself seduced by a roguish retiree. It's certainly like no other movie I've ever seen.
Being a globally famous popstar is a lot like being in a romantic relationship or marriage, but instead of one spouse or partner you have millions of adoring fans. You must consider those fans before making any major decisions, just as you would your husband or wife. Artists often get stuck in a creative rut out of fear of losing their fanbase if they try something different, just as so many people stay in jobs they hate out of fear of upsetting the status quo by making their other half angry. A popstar suddenly deciding they want to make a jazz album is akin to a middle-aged husband ditching his nine to five office job to pursue his dream of opening a record store - such moves aren't likely to go down well with fans and wives.
