(NEW BRUNSWICK, NJ) -- The 45th Bi-Annual New Jersey Film Festival will be taking place between September 4 - October 4, 2026. As they have been doing the last few years, the festival will be presented as a hybrid with select in-person screenings at Rutgers University and most of the films available virtually via Video on Demand for 24 hours on their show date. The festival also be offering an Audio-Visual Concert featuring the bands Lawns and Hanging Coats as well as two FREE Filmmaking Workshops.
With his 2021 film Dinner in America, director Adam Carter Rehmeier revived the career of actor Kyle Gallner, who has since caught the eye of cinemagoers with his roles in the Smile series and Strange Darling. Rehmeier and Gallner reunite for Carolina Caroline, and once again the latter plays a charming sociopath who sweeps a restless young woman off her feet. The tone is less comic this time, and Carolina Caroline is a lot more maudlin than the post-Tarantino vibes of its trailer might suggest.
(JERSEY CITY, NJ) -- The 2026 Golden Door International Film Festival takes place June 25-27 at Arthouse Productions and Nimbus Arts Center.
(ATLANTIC CITY, NJ) -- It will be a special night for filmmaker Kollisa Pimentel will who makes her directorial debut with the short film, "Still Life," premiering at Anchor Rock Club on Tuesday, June 30, 2026 at 8:00pm.
Horror movies centred on demonic possession and exorcisms generally feature a possessed young woman and a male religious figure battling a crisis of faith as they attempt to save the possessed victim. The Voices of Our Mother, actor Mark O'Brien's second feature as writer/director, strays from convention in this regard. Here the possession victim is an elderly woman, while her potential saviour is a young nun.
With his 2021 film Dinner in America, director Adam Carter Rehmeier revived the career of actor Kyle Gallner, who has since caught the eye of cinemagoers with his roles in the Smile series and Strange Darling. Rehmeier and Gallner reunite for Carolina Caroline, and once again the latter plays a charming sociopath who sweeps a restless young woman off her feet. The tone is less comic this time, and Carolina Caroline is a lot more maudlin than the post-Tarantino vibes of its trailer might suggest.
Horror movies centred on demonic possession and exorcisms generally feature a possessed young woman and a male religious figure battling a crisis of faith as they attempt to save the possessed victim. The Voices of Our Mother, actor Mark O'Brien's second feature as writer/director, strays from convention in this regard. Here the possession victim is an elderly woman, while her potential saviour is a young nun.
It's ironic that Steven Spielberg's best movie of the 21st century is his adaptation of HG Wells' War of the Worlds. That film takes a dim view of alien visitors that is contradictory to Spielberg's optimism regarding extra-terrestrial life. Elsewhere in the director's body of work, aliens are portrayed as benevolent beings; we are more of a threat to them than they are to us.
Biopics of musicians tend to be more interested in the musician than the music. Two of the best movies about music - Bertrand Tavernier's Round Midnight and Michael Winterbottom's 24 Hour Party People - are ironically less interested in the people who create music and more in those who promote it. Tavernier's film focusses on a jazz-loving Parisian who becomes determined to restore a faded American saxophonist to his former glory. Winterbottom's tells the story of how one man revitalised the city of Manchester by recognising and promoting its wealth of diverse musical talent.
Being a globally famous popstar is a lot like being in a romantic relationship or marriage, but instead of one spouse or partner you have millions of adoring fans. You must consider those fans before making any major decisions, just as you would your husband or wife. Artists often get stuck in a creative rut out of fear of losing their fanbase if they try something different, just as so many people stay in jobs they hate out of fear of upsetting the status quo by making their other half angry. A popstar suddenly deciding they want to make a jazz album is akin to a middle-aged husband ditching his nine to five office job to pursue his dream of opening a record store - such moves aren't likely to go down well with fans and wives.
