
Here is Festival Director Al Nigrin’s interview with Pavan Moondi. Pavan is the director and writer of the terrific Canadian feature film Middle Life. Middle Life screens with two shorts at the New Jersey International Film Festival on Saturday, May 30, 2026.

Since coming out of his brief self-imposed "retirement" in 2017, Steven Soderbergh has been knocking out films at a rate close to two a year. He's clearly a filmmaker who cares about his legacy, but an artist doesn't get to determine their legacy. That's up to the public. Some will consider Soderbergh an unimpeachable genius. A few will label him a talentless hack. I suspect most will look back on his prolific filmography as a series of hits and misses. The Christophers, which is very much wrestling with the notion of legacy, is one of the hits.

Al Nigrin, Executive Director and Curator of the New Jersey International Film Festival, sits down at EBTV with Ashley Gerst -- Director and Animator of the film Sundays for a filmmaker interview. Sundays will be screened on Saturday May 30, 2026.

Here is the 2026 New Jersey International Film Festival Video Animation Panel featuring Festival Director Al Nigrin and Filmmakers Owen Andrejco, Myra Sito Velasquez, Evan Bode, and Heidi Kumao.

Al Nigrin, Executive Director and Curator of the New Jersey International Film Festival, interviews What We Dreamed of Then Director, Writer and Actor Taylor Olson. What We Dreamed of Then will be screened on May 31, 2026.





Since coming out of his brief self-imposed "retirement" in 2017, Steven Soderbergh has been knocking out films at a rate close to two a year. He's clearly a filmmaker who cares about his legacy, but an artist doesn't get to determine their legacy. That's up to the public. Some will consider Soderbergh an unimpeachable genius. A few will label him a talentless hack. I suspect most will look back on his prolific filmography as a series of hits and misses. The Christophers, which is very much wrestling with the notion of legacy, is one of the hits.

With his first two films, Caveat and Oddity, Irish writer/director Damian McCarthy established himself as one of the most exciting new voices in horror filmmaking. Hollywood will surely have come calling, but McCarthy has resisted the lure of Tinseltown and stayed put in Ireland, where he can likely remain truer to his vision. Instead, Hollywood has come to McCarthy, with Adam Scott adding star power to McCarthy's third film.

Throughout history, societies have exploited a fear of the unknown to keep the plebs under control. In the medieval Dutch village of director Didier Konings' folk horror Heresy, the surrounding woods are said to harbour an evil force. But just as European adventurers discovered you could sail to the new world without falling off the edge of the planet, our young heroine here finds that salvation awaits her in the forbidden forest.

Following Brady Corbet's Vox Lux and the recent horror sequel Smile 2, David Lowery's Mother Mary is another dark drama centred on a troubled female pop star. It also joins Peter Strickland's In Fabric and the "Weird Tailor" segment of Amicus anthology Asylum to form a sub-genre of horror movies featuring supernatural fabric.

Hitchcock's Psycho is often cited as the first slasher movie but the tropes of that sub-genre go right back to the 1930s. The likes of Michael Myers and Jason Vorhees are essentially descendants of Kharis, the shambling antagonist of Universal's Mummy series of the '30s and '40s. In recent decades Universal has taken their Mummy property out of the horror genre and into the realm of blockbuster action, in a series of hit films starring Brendan Fraser and a flop headlined by the usually reliable Tom Cruise.