Following Hamnet and "Wuthering Heights", Maggie Gyllenhaal's The Bride! is the latest in a line of awful movies inspired by the work of great English writers. It's Mary Shelley here of course, but Gyllenhaal also plucks from James Whale's Bride of Frankenstein. Whale cast Elsa Lanchester in the dual roles of Shelley and the titular monster, and Gyllenhaal pulls the same trick here with Jessie Buckley. That's where the similarities end however, as The Bride! has more in common with '70s exploitation flicks and '90s horror comedies than either Shelley's novel or the Universal monster movies it inspired.
(EAST RUTHERFORD, NJ) -- The NJ Film Expo takes place on Thursday, April 30, 2026 at the Meadowlands Arena from 10:00am to 7:00pm. Admission is free, but advance registration is appreciated to help them manage the attendance.
(HAMILTON TOWNSHIP, NJ) -- Independent filmmaker Phillip McConnell will premiere his new short film, Tell Me Where We Stand, at Mill One on Sunday, May 31, 2026, bringing together local artists, performers, and members of the community for an evening celebrating independent film and storytelling.
Every cinephile goes through a Giallo phase at some point. How could they not? The Italian sub-genre has everything you could want from cinema: sex, violence, funky music, eye-popping '70s costumes and production design, and lashings of style. That said, if you demand logic, Giallo probably isn't for you.
If the premise of Thrash sounds familiar you might have run across the movie when it was announced back in 2024 under its original title "Beneath the Storm." Or perhaps in 2025, when it was retitled "Shiver" and set for a theatrical release in August of that year. Now the movie has been renamed once again and its cinema release scrapped. Sony have sold it off to Netflix, who have dumped it on their platform with all the ceremony of an unwanted goldfish being flushed down a toilet.
Following Hamnet and "Wuthering Heights", Maggie Gyllenhaal's The Bride! is the latest in a line of awful movies inspired by the work of great English writers. It's Mary Shelley here of course, but Gyllenhaal also plucks from James Whale's Bride of Frankenstein. Whale cast Elsa Lanchester in the dual roles of Shelley and the titular monster, and Gyllenhaal pulls the same trick here with Jessie Buckley. That's where the similarities end however, as The Bride! has more in common with '70s exploitation flicks and '90s horror comedies than either Shelley's novel or the Universal monster movies it inspired.
Every cinephile goes through a Giallo phase at some point. How could they not? The Italian sub-genre has everything you could want from cinema: sex, violence, funky music, eye-popping '70s costumes and production design, and lashings of style. That said, if you demand logic, Giallo probably isn't for you.
If the premise of Thrash sounds familiar you might have run across the movie when it was announced back in 2024 under its original title "Beneath the Storm." Or perhaps in 2025, when it was retitled "Shiver" and set for a theatrical release in August of that year. Now the movie has been renamed once again and its cinema release scrapped. Sony have sold it off to Netflix, who have dumped it on their platform with all the ceremony of an unwanted goldfish being flushed down a toilet.
After decades of failures, video game adaptations are suddenly a hit at the box office, with screen translations of such heavy hitters as Super Mario Bros, Sonic the Hedgehog and Minecraft among the biggest earners of recent years. Just as there are cult movies, there are cult video games. Take The Mortuary Assistant, in which the player takes on the icky job of the title and attempts to finish their night shift at a morgue while evading demons. With another cult horror game, Five Nights at Freddy's, spawning two hit movies, it's no surprise that The Mortuary Assistant has now received a cinematic adaptation.
Pitting teenage ballerinas against heavily armed Hungarian mobsters, Pretty Lethal gives new meaning to the term "balletic violence." It's a throwback to all those '70s/'80s exploitation thrillers in which stranded cheerleaders were menaced by mouth-breathing rednecks. Surprisingly for a movie debuting on a mainstream streaming service in 2026, it carries over the extreme violence of those movies, along with the threat of sexualised violence, but its tongue is firmly in its cheek.
