(MONTCLAIR, NJ) -- Outpost in the Burbs and Montclair Film presents "In Spite of Ourselves," a concert and film screening of You Got Gold, on Saturday, April 11, 2026. The concert and film are a tribute to the music of the legendary singer-songwriter John Prine.
In its 1960s peak, the Hagsploitation (or psycho-biddy) sub-genre gave a second act to classic Hollywood stars like Joan Crawford, Bette Davis and Olivia de Havilland, who found themselves cast as aging psychopaths. It wasn't without controversy, drawing accusations of ageism and misogyny from critics. It's a surprise that our current age of sensitivity has seen a mini-revival of the form with movies like X and The Visit using senility as a cheap, albeit effective way to explain their villains' actions.
I'm not going to suggest that Scream 7 is a return to form for the critically ailing yet commercially triumphant slasher franchise (I don't believe it had much form to begin with), but it's certainly a baby step up from the awfulness of the previous two instalments. That's a bit like saying a soccer team is showing signs of improvement because they only lost 3-0 against their local rivals as opposed to the 5-0 drubbing they suffered the previous season. But I'm a Spurs fan, so I'll take whatever crumb of comfort I can, and the crumb tossed to fans here is the return of Neve Campbell as Sidney Prescott, along with series creator Kevin Williamson, directing for the first time since 1999's Teaching Mrs Tingle, and co-writing with Guy Busick (with a story contribution by Zodiac scribe James Vanderbilt).
(WOODSTOWN, NJ) -- The Salem County Film Festival is accepting submissions from March 17-31, 2026. The festival will showcase short films created by South Jersey filmmakers and/or films that feature at least two scenes shot in Salem County.
(CHATHAM, NJ) -- Featuring some of the best soon-to-be-released movies from around the world, Arthouse Film Festival will unspool for ten weeks beginning March 16, 2026 at Chatham Hickory Cinema. The selected films comprise award winners from Sundance, Cannes, Toronto, Telluride, Venice and SXSW film festivals, along with prestige studio films, screened in Chatham before their New York theatrical release dates.
In its 1960s peak, the Hagsploitation (or psycho-biddy) sub-genre gave a second act to classic Hollywood stars like Joan Crawford, Bette Davis and Olivia de Havilland, who found themselves cast as aging psychopaths. It wasn't without controversy, drawing accusations of ageism and misogyny from critics. It's a surprise that our current age of sensitivity has seen a mini-revival of the form with movies like X and The Visit using senility as a cheap, albeit effective way to explain their villains' actions.
I'm not going to suggest that Scream 7 is a return to form for the critically ailing yet commercially triumphant slasher franchise (I don't believe it had much form to begin with), but it's certainly a baby step up from the awfulness of the previous two instalments. That's a bit like saying a soccer team is showing signs of improvement because they only lost 3-0 against their local rivals as opposed to the 5-0 drubbing they suffered the previous season. But I'm a Spurs fan, so I'll take whatever crumb of comfort I can, and the crumb tossed to fans here is the return of Neve Campbell as Sidney Prescott, along with series creator Kevin Williamson, directing for the first time since 1999's Teaching Mrs Tingle, and co-writing with Guy Busick (with a story contribution by Zodiac scribe James Vanderbilt).
Blockbuster screenwriter David Koepp adapts his own 2019 novel Cold Storage for the screen. Koepp's involvement can surely be the only reason the movie has attracted actors of the calibre of Liam Neeson, Lesley Manville and Vanessa Redgrave, as it's a rather uninspired throwback to '80s b-movies, one sorely lacking the raucousness and innovative practical effects work that made those flicks so popular.
With his documentary The Imposter and his narrative feature debut American Animals, writer/director Bart Layton displayed an impressive knack for spinning true crime tales into riveting viewing experiences. His new film, Crime 101, isn't inspired by any real life criminal shenanigans. It's adapted from a novella by Don Winslow, but Layton draws influence from a century of American crime cinema. There is much of Michael Mann here, with stoic male professionals staring out into the ocean from the balconies of their barely furnished beachfront homes, while Layton's ability to make flirtatious doublespeak as erotic as the most explicit sex scene suggests he's studied the classics of film noir. Characters flirt through laying out their material ambitions here in a manner that is far sexier than the unconvincing romping of Emerald Fennell's "Wuthering Heights" or the 50 Shades movies.
With Send Help, screenwriters Damian Shannon and Mark Swift have taken the basic setup of Lina Wertmuller's Swept Away (and its awful Madonna-starring, Guy Ritchie directed remake) and given it a gender swap. Here it's a lowly female employee who finds herself stranded on a desert island with her male boss. Much of Send Help explores the same class and sexual tensions as Wertmuller's film, but with Sam Raimi in the director's chair we know things are going to get a little crazy at some point. And, boy, do they!
