(ASBURY PARK, NJ) -- The trailer opens with Bruce Springsteen shouting "Good evening Asbury Park." The film is The Airwaves Belonged to the People: WBCN and the American Revolution and it'll run three nights at the Showroom Cinema in Asbury Park from September 25-27, 2026.
How far are you willing to go for success? What lines will you cross to feel important? Keshav Srinivasan asks these questions with The Flesh People, and the answers are gruesome. In this film, roommates Ricky (Jorge Carrión Álvarez) and Geraldine (Louise Heller) decide that the best way to make money is to do underground surgeries on people and serve food made of human meat. Trigger warnings aside, this might be one of the best body horror movies I've seen in a while.
We are fast approaching Spooky Season, and with that comes the inimitable Rocky Horror Picture Show season. The cult classic has become synonymous with October and Halloween, likely due to the fabulous costume opportunities afforded by its cast of characters.
(TEANECK, NJ) -- The Teaneck International Film Festival (TIFF) has named filmmaker Luchina Fisher the first recipient of the Sandi Klein Creative Woman in Film Award, a new annual honor celebrating an exceptional woman whose work reflects the creativity, curiosity, integrity and commitment to social impact that defined Klein's life and her nearly two decades with the festival. The award includes a $1,000 grant. Fisher will receive the inaugural award at the TIFF screening of her film, The Dads, on Sunday, November 8, 2026 at 2:30 pm at Teaneck Cinemas (503 Cedar Lane).
Some of the most difficult things passed down through families are the ones rarely spoken about. In The Bond That Broke, director Jeff Mizushima explores this through mother and daughter Kathi Ross-Nash and Dr. Zoe Ross-Nash, whose lives have both been shaped by eating disorders in very different ways. Kathi struggled with bulimia for decades, while Zoe became a clinical psychologist largely because of what she learned about her mother’s experience with an eating disorder. Their stories make them feel like two sides of the same coin.
It makes sense that James Wan would latch onto Kane Parsons, recently serving as producer on Parsons' film adaptation of his cult web series Backrooms. Long before horror fans became obsessed with liminal spaces, Wan was exploring just such an idea through his Insidious franchise. The series features its own liminal realm, known as "The Further," a sort of demonic buffer zone between this world and the next. Practically every entry in the series climaxes with someone entering The Further to defeat some form of evil, but it never really took advantage of the eeriness of liminal spaces.
