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Showing art results: From 21 to 31


Leandro Comrie: "A Quiet Odyssey"

by Tris McCall
published 2025-09-03

What gives Leandro Comrie's "King" the right to rule? Is it his raiment, decorated with scores of curlicues of white and royal purple paint, signifying motion and activity and cinched savagely at the waist? Is it his arms, long enough to touch his ankles, formidable and thick, draped at his sides in a gesture of ease and preternatural balance? How about the magenta halo behind his head, bright and electric, suggestive of sanctification in some other world? Or could it be the face, with its crown of wavy hair, full lips and slanted white eyebrows, and lower jaw squared against all adversaries. He looks confident and ready. But the crimson dot he stands on and surveys is barely big enough to contain his boat-like shoes.




 

Erasure Gallery: A Project by Curious Matter

by Tris McCall
published 2025-08-27

I never felt the need to formally come out. It struck me as a redundant thing to do. Nobody in my life has ever treated me as if I was straight. In school, friends, crushes, teachers, coaches, and the many acquaintances who felt the need to assess my masculinity in pungent language all assured me that I was gay all day. I gave the unfriendlier characters points for creativity, linguistic invention, and persistence, even as I was running away from them.



Pollak Gallery presents "Into the Wild" Art Exhibit by Eileen Kennedy

(WEST LONG BRANCH, NJ) -- Monmouth University's Pollak Gallery presents "Into the Wild" Art Exhibit by Eileen Kennedy from September 1 through October 25, 2005. Kennedy's narrative art explores the relationship between contemporary humans and the natural world. The exhibit is free and open to the public.



Anna Collevecchio: "The Door Is Right There"

by Tris McCall
published 2025-08-20

In winter 2015, On Kawara landed, gracefully, at the Guggenheim. For the next few months, the walls of the main rotunda were dedicated to Kawara's life work: intensely rendered monochromatic paintings of the date, every day, every year, for almost fifty years. Sometimes the curator paired these with newspapers that also corresponded to the date. Sometimes, the act of painting the date, over and over, was left to speak for itself.



Kyle Orlando: "Scratch Fever"

by Tris McCall
published 2025-08-13

Artists like cats because artists are like cats. The feline temperament is mercurial, ungovernable, mischievous, intermittently social, prone to periods of feverish activity followed by glowering reclusiveness. I'll wager many painters can relate. Cats are also beautiful animals, moving through the world with a well-curated mixture of adorableness and murderous malice. Phonies they are not. We respect them for their candor.