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New Release Review - "How to Make a Killing"

by Eric Hillis, TheMovieWaffler.com
published 2026-03-14

Writer/director John Patton Ford's 2022 feature debut Emily the Criminal proved one of the more interesting crime thrillers of recent years. In that movie, Aubrey Plaza gave a career best performance as a struggling young woman who desperately turns to crime only to discover she has a knack for it. Ford's second movie, How to Make a Killing, features a similar anti-hero, but here the crime is murder.




 

New Release Review - "The Bride!"

by Eric Hillis, TheMovieWaffler.com
published 2026-03-11

Following Hamnet and "Wuthering Heights", Maggie Gyllenhaal's The Bride! is the latest in a line of awful movies inspired by the work of great English writers. It's Mary Shelley here of course, but Gyllenhaal also plucks from James Whale's Bride of Frankenstein. Whale cast Elsa Lanchester in the dual roles of Shelley and the titular monster, and Gyllenhaal pulls the same trick here with Jessie Buckley. That's where the similarities end however, as The Bride! has more in common with '70s exploitation flicks and '90s horror comedies than either Shelley's novel or the Universal monster movies it inspired.



State Theatre New Jersey presents Dirty Dancing in Concert

(NEW BRUNSWICK, NJ) -- State Theatre New Jersey presents Dirty Dancing in Concert on Wednesday, March 18, 2026 at 7:30pm. Get ready to have the time of your life and immerse yourself in the romance of this beloved classic with an unforgettable evening!



Outpost in the Burbs and Montclair Film presents the Music of John Prine: Film and Concert

(MONTCLAIR, NJ) -- Outpost in the Burbs and Montclair Film presents "In Spite of Ourselves," a concert and film screening of You Got Gold, on Saturday, April 11, 2026. The concert and film are a tribute to the music of the legendary singer-songwriter John Prine.



New Release Review - "Crazy Old Lady"

by Eric Hillis, TheMovieWaffler.com
published 2026-03-07

In its 1960s peak, the Hagsploitation (or psycho-biddy) sub-genre gave a second act to classic Hollywood stars like Joan Crawford, Bette Davis and Olivia de Havilland, who found themselves cast as aging psychopaths. It wasn't without controversy, drawing accusations of ageism and misogyny from critics. It's a surprise that our current age of sensitivity has seen a mini-revival of the form with movies like X and The Visit using senility as a cheap, albeit effective way to explain their villains' actions.