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Just a week ago while reviewing the Deborah Levy adaptation Swimming Home I noted how so many recent movies were following the template set down by Jean Renoir in his 1932 satire Boudu Saved from Drowning, that of a wealthy family being shaken up by the arrival of an outsider. First time writer/director Nadia Conners is the latest filmmaker to channel Renoir with her Hollywood satire The Uninvited.