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Showing art results: From 1 to 10


"She's Like the Wind"

by Tris McCall
published 2026-04-29

The first thing you'll see upon entering the gallery at Deep Space (77 Cornelison St.) is the shadow-outline of a woman's leg. There it is, on a chartreuse background, sticking straight up in the air with a curvaceous bare foot inches from the ceiling. That's all of the subject of "Lemon Lime Toe of God" that the oil painter Delilah Ray Miske is willing to show us. The rest of the body, she implies, is splayed out on a bed. We know it's summer because the window is closed and the air conditioner is plugged in. There's a pretty good chance that the possessor of the leg is undressed. In one hand, she holds a cellphone, and she might be broadcasting something. On the wall, a small whip-like broomstick hangs. It could be the ride of a tiny witch. It could be the professional tool of a dominatrix.




 

Winifred McNeill: "Between Air and Earth"

by Tris McCall
published 2026-04-01

Any good cook will tell you that reducing something doesn't always mean diminishing it. Sometimes it's the best way to intensify its personality. Size, we've learned in the era of streaming entertainment on tiny phone screens, does not determine how clearly a thing communicates. If it fills our senses, it can slip right into our bloodstream.



Jersey Arts TV - 30,000 Works: Newark Museum's Global Asia Art Collection

by Jesse North & Dave Tavani, JerseyArts.com
published 2026-03-26

The third floor of the Museum's North Wing showcases highlights from over 30,000 objects in the Arts of Global Asia collection. Discover Jersey Arts takes an inside look at one of Newark Museum of Art's oldest exhibits, on display since the Museum opened in 1909.



Steve Datz: "The Consistency of Inconsistency"

by Tris McCall
published 2026-03-25

Steve Datz will put you in mind of Jackson Pollock. Maybe he hates that comparison, and maybe he's happy to own the influence; either way, it's tough to ignore. Many of his paintings feature multicolored drip-squiggles on long, horizontal canvases. If they never quite achieve the intensity of Pollock's plasma storms, they feel similarly kinetic, and similarly electrified. Pollock's paintings are often suggestive of the firing neural network of a deep thinker. Datz's synapses in paint are not quite as dense, and not quite as tormented.



"The 16th" & "Handle With Care"

by Tris McCall
published 2026-03-18

No nation has seen an uglier side of the Atomic Age than Japan. Hiroshima and Nagasaki remain the only cities devastated by nuclear bombs. After surrendering to the splitters of the nucleus, the Japanese promised never to rearm until the bombers (us) gave the okay. Fidelity to that pledge didn't save them from another atomic megadisaster: the core meltdown at the Fukushima Daiichi nuclear reactor in 2011. Fifteen years later the contamination — and humiliation — remains. If a Japanese person should decline to hear a lecture about the miracle of the split atom, it's not hard to understand why.
















 

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