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In winter 2015, On Kawara landed, gracefully, at the Guggenheim. For the next few months, the walls of the main rotunda were dedicated to Kawara's life work: intensely rendered monochromatic paintings of the date, every day, every year, for almost fifty years. Sometimes the curator paired these with newspapers that also corresponded to the date. Sometimes, the act of painting the date, over and over, was left to speak for itself.
