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Showing film results: From 171 to 181


Ten great films screen at the 2025 New Jersey Film Festival this weekend!
by Al Nigrin
published 2025-01-31

Ten great films screen at the Spring 2025 New Jersey Film Festival this weekend!




 

Amazing Feature God Teeth screens at the New Jersey Film Festival on February 7!

by Morgan Kalmbach
published 2025-01-30

For many, the process of finding footage online and crafting a well-thought-out plot and connection between these shots may seem incredibly daunting and time-consuming. For musician and filmmaker Robbie C. Williamson, it is an exciting opportunity to craft something extremely unique and intriguing. Williamson’s found footage film God Teeth represents this excitement and exemplifies the exceptional results of his long-term efforts and passion for storytelling.



Immersive The Hollowing screens at the 2025 New Jersey Film Festival on February 1st!

by Matt Smyntek
published 2025-01-29

The Hollowing, directed by Steven Weinzierl, follows a couple as they try an experimental therapy to test the compatibility of their relationship. They are placed into a sleep state and are put into a false reality together. This dream-like version of their life showcases the mundane, everyday scenarios of a relationship to the more supernatural and grotesque elements that are unearthed by this therapy. It starts off with relatable feelings of relationship trouble while introducing and building up who the characters are and their relationship to each other, before taking dramatic turns and heightening the stakes of the relationship between the two as the therapy procedure continues. The film plays with the line between reality and dream in a way that is both noticeable and unnoticeable, creating a sense of suspense that is only heightened by the events unfolding onscreen. The film also showcases stellar cinematography and lighting that make the false reality just as immersive for the audience as it is for the characters.



Emotive short Phantom Limb plays at the New Jersey Film Festival on February 1!

by Penelope de la Cruz
published 2025-01-28

Alice Jokela’s Phantom Limb is an experimental short film that immerses the audience in the emotional journey of navigating trauma and the search for autonomy. The short film centers on Violetta (Shay Yu), a young woman who lost her right arm in an electrical shock accident while tagging in an underground railroad with her boyfriend. With her body forever altered, Vi wrestles to build a sense of identity while coping with the emotional impact of her trauma. In an interview with The New Jersey Film Festival, Jokela expressed her intention to create a film focused on female rage and the overt trauma that often goes overlooked or misunderstood because of the internal, invisible nature of pain. This is reflected in the short film, as those around Vi misperceive her emotional scars. Vi’s story emphasizes how internal trauma can be complex for others to recognize, especially when it’s not immediately visible.



Two riveting shorts The Hollowing and Brooklyn screen at the New Jersey Film Festival on February 1!

by Morgan Kalmbach
published 2025-01-27

How a filmmaker utilizes certain filmmaking techniques holds the power to change the film in immeasurable ways. Achieving the best look and flow of the film requires evaluating things such as lighting, color, and composition and determining how they can be applied. The outcome of these evaluations is a carefully articulated and well-done film that crafts an interesting narrative told not just through storytelling but through every part of the film. Two examples of this are The Hollowing, by Steve Weinzierl, and Brooklyn, by Timur Guseynov, both films that tell their stories well through various cinematography and filmmaking language techniques such as color, lighting, and frame composition.





It’s A to Z: The Art of Arleen Schloss New Jersey Film Festival Filmmaker Video Interview

by Vic Fern
published 2025-01-26

Al Nigrin, Executive Director and Curator of the New Jersey Film Festival, sits down with Stuart Ginsberg, Director of It's A to Z: The Art of Arleen Schloss, for a filmmaker video interview at EBTV.



Timely Documentary We Are Not Machines screens at the New Jersey Film Festival on February 2!

by Mo Foster
published 2025-01-25

Although the necessity for the film is troubling, the people followed throughout We Are Not Machines (No Somos Máquinas) turn a horrible situation into fuel for reconstruction, choosing to fight with passion and determination against the system that affects them rather than passively falling victim to it.



2025 New Jersey Film Festival begins today!

by Al Nigrin
published 2025-01-24

The Spring 2025 New Jersey Film Festival begins today! https://newjerseyfilmfestivalspring2025.eventive.org/welcome Here is the Festival line-up for this weekend. Almost all the directors will be present for the in-person screening on Friday and they will be doing a Q+A with the audience.



Insightful documentary The Accidental Spy screens at the New Jersey Film Festival on February 1

by Yuri Kim
published 2025-01-23

“Did you ever think, Blerim, that you were going to be a spy?” “Never in my life.” “So you didn’t train to be a spy?” “No, never.” “So it was just by accident?” “By accident, yes.” These are the opening words of The Accidental Spy - a documentary directed by Oscar-nominated, double EMMY and triple BAFTA-winning director and producer Anthony Wonke. Wonke has extensive experience working in the Middle East, having made several films in and about the region such as Syria: Children on the Frontline (2014) and The Battle for Marjah (2010). You can see his extensive experience in the way he sets up Blerim Skoro’s story - the main figure behind The Accidental Spy.



Engaging shorts Disoriented and Dinner at Manny's are screening at the New Jersey Film Festival

by Yuri Kim
published 2025-01-22

“Is now a good time?” The question is usually asked when it never is. Disoriented is a short film that follows the stories of 3 different individuals, all of whom receive a phone call while in the middle of their day-to-day lives. The news they receive takes them out of their surroundings, wrapped up in the voice that is on the other line. What should they do? How should they act? It is up to each of them to decide how to respond - while stuck in a situation where they must present a different face outwards than the conflicting, whirling emotions that they feel inside.


 

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