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The success of George Miller's first two Mad Max movies gave rise to a wave of knockoffs in the early '80s. Mostly Italian, these movies aped the post-punk petrolhead aesthetic of Miller's films, with Mohawk-sporting warlords crashing dune buggies into one another in the Spanish desert. While some of those movies were fun and provided cheap thrills for an '80s audience eager to feed their new VCRs, they lacked something. For a start they couldn't compete with Miller's craft, but there was another key element missing: they weren't Australian.
