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Showing music results: From 2314 to 2324


Rock On! This Week's Sound Bites...2/3/22

by Danny Coleman
published 2022-02-03

“This is a one-off single, the song felt like it lived in its own bubble because of the environment that we are in now. I didn’t see this as part of a collection, this is almost like an album’s worth of ideas or music in one song for me and it really addresses the life we are living right now and I couldn’t really see any companion pieces for it; you know?”




 

Spotlight on Hallows Die

Hallows Die is a band from Mississauga, Ontario, Canada.  They describe their sound as "progressive melodic death metal? We might be missing a few adjectives. We make noise; sometimes it sounds coherent, and sometimes it’s missing a beat." The Penguin Rocks presents this interview with Hallows Die.



NJ Festival Orchestra presents “Voices from the Arctic”

(WESTFIELD, NJ) -- NJ Festival Orchestra continues its triumphant return to the concert hall on Saturday, March 26 and Sunday, March 27 with “Voices from the Arctic,” presenting masterworks from Rautavaara, Sibelius, and Tchaikovsky in a passionate storm of ice and fire. The concert promises authentic Arctic birdsong, soaring Sibelius melodies with internationally acclaimed violin virtuoso Jaewon Kim and, arguably, Tchaikovsky’s finest and most heart-rending symphony. With David Wroe at the helm, live music doesn’t get much better than this! 



State Theatre and New Jersey Symphony present Casablanca in Concert

(NEW BRUNSWICK, NJ) -- State Theatre New Jersey and New Jersey Symphony present Casablanca in Concert with the New Jersey Symphony on Sunday, February 13, 2022 at 3:00pm at the newly renovated State Theatre New Jersey. The classic film will feature live orchestral accompaniment by the New Jersey Symphony, led by conductor Constantine Kitsopoulos. Tickets range from $39-$89. 



Alto Saxophonist Mark Gross: Inspired by Cannonball Adderley and Jimmy Heath

by Sanford Josephson
published 2022-02-01

Cannonball Adderley was alto saxophonist Mark Gross’ “biggest influence,” so when he was hired by Cannonball’s younger brother, trumpeter Nat Adderley, in 1995 (20 years after Cannonball’s death), it was “one of the highlights of my career. I came recommended to him,” Gross recalled, “but he had not heard me play. We flew to Europe, and I’m thinking we are going to rehearse. We get to the hotel, we have dinner, and he says, ‘See everybody tomorrow.’”