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Showing art results: From 11 to 21


"ICU/USA"

by Tris McCall
published 2025-10-01

You're on edge. Why wouldn't you be? Masked police are rounding up people on the streets of American cities. Those detained are shipped to private detention centers that exist in a blank zone beyond judicial oversight or regional supervision. This weekend, The Guardian described a CoreCivic prison in the California desert as hell on earth: crowded, unsanitary conditions, dirty water, torture, unconscious inmates denied medication. Shirsho Dashgupta of the Miami Herald reported that more than two-thirds of the men incarcerated in Alligator Alcatraz cannot presently be accounted for. Shortly after delivering a speech that echoed Joseph Goebbels's rhetoric, Stephen Miller celebrated NSPM-7, a White House directive that criminalizes dissent and empowers federal investigators to lay a dragnet and start the engine. In this febrile environment the President has announced his intention to send the army — the United States armed forces — to Portland, Oregon, treating it as a rebellious province that needs to be subdued.




 

Jersey Arts TV: Unveiling the Facets of Art and Creativity at SOPAC

by Gina Marie Rodriguez & Dave Tavani, JerseyArts.com
published 2025-09-25

Unveiled25 is an exhibition that marks the fourth collaboration with the SOMA Studio Tour and features work by nearly 70 artists from South Orange and Maplewood.



"All of Our Friends and Them"

by Tris McCall
published 2025-09-24

"You'll never have friends like you did when you were young," sang Blake Sennett of Rilo Kiley* on "Greetings in Braille." A nostalgic sentiment for sure, but chances are, you know what he's getting at. Friendships among young people conflate identification and desire in a manner that reasonable grownups cannot manage. They are irresponsible, and flammable, and wonderful, even if they don't always last long.



Arcadio, O'Connor & Suarez: "The Cheese and the Worms"

by Tris McCall
published 2025-09-17

There's a monster on Sussex Street. It's a scarecrow, or a statue of one, anyway: big, sinewy, bug-eyed and irate, and almost tall enough to reach the second story of a residential building. This beast rises from the patio of a Paulus Hook brownstone and stares out at the block with a combination of menace and proprietary pride. From now until early November and possibly well beyond that, this will be his neighborhood. He's an early-blooming example of our favorite harvest species. He's a Halloween decoration.



Nathalie Kalbach: "If These Walls Could Talk"

by Tris McCall
published 2025-09-10

Around the corner from where I'm sitting, there’s a row house on a residential block. To a motorist blowing by, it probably looks unremarkable. It always catches my eye, though.
















 

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