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Events This Week in New Jersey from January 27 to February 2, 2026

Here is a look at upcoming events taking place from January 27-February 2, 2026 along with our featured listings. New Jersey Stage offers previews of events throughout the Garden State as well as select shows in New York City and Philadelphia areas.




 

This Week in Theatre: Previews for Plays Taking Place January 27 to February 2, 2026

Here are previews of plays taking place from January 27 to February 2, 2026 including a look at productions currently being presented and those coming soon. New Jersey Stage covers Equity, community, college, and high school theatre. Check back every week for the weekly theatre preview.



This Week in Music: Previews for Concerts from January 27 to February 2, 2026

Here is a look at shows taking place from January 27 to February 2, 2026 along with our featured listings and a look at some upcoming shows. New Jersey Stage offers previews of concerts throughout the Garden State as well as select shows in New York City and Philadelphia areas.



New Jersey Stage: Daily Edition 01-27-26

Here is the morning update from New Jersey's arts newswire. We regularly publish between 8-15 new articles and news reports each day. Nobody covers the Arts throughout the Garden State like New Jersey Stage!





It Needs to Be Seen! Don’t Look in The Dark premieres at the 2026 New Jersey Film Festival on January 31!

by Jack Bolton
published 2026-01-27

I love horror. I’ve loved it since I was twelve and my friends from Boy Scouts showed me Friday the 13th for the first time. With almost a decade of experiencing the genre, I have learned that there are things more terrifying than jump scares and gore, for example, the fear of the unknown. Sure, the monster or crazed killer might be scary, but when you can’t see who- or what- is killing people, the viewer’s mind is left to fill in the blanks, projecting their own fears onto the antagonist and making it seem much scarier. Everything is more frightening when you’re in the dark, and Samuel Freeman’s Don’t Look in the Dark uses this aspect of horror to its fullest effect.