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Over the past decade, producer/director Timur Bekmambetov's name has become synonymous with the "screenlife" sub-genre. For those who are unaware, screenlife movies play out their narratives on the screens of laptops, tablets, phones and similar devices. Watching someone's desktop for 90 minutes may not sound too exciting but the format has proved surprisingly successful in thrillers like Unfriended, Searching and Profile. Much like the American horror movies of the 1970s took the genre out of its traditional Gothic setting of European castles and transferred it to the US suburbs, screenlife thrillers have a relatable immediacy, their thrills playing out on the sort of screens we stare at every day.
