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Showing all results: From 1418 to 1428


2025 New Jersey International Film Festival Short Documentary Film Panel

by Vic Fern
published 2025-06-01

Here is the 2025 New Jersey International Film Festival Zoom Short Documentary Filmmaker Panel with Marine Field Station Director Thomas Lennon, Harlem to Harvard Director Zuzelin Martin, Down The Line Director Vinit Parmar and Festival Director Al Nigrin.




 

New Release Review - "The Phoenician Scheme"

by Eric Hillis, TheMovieWaffler.com
published 2025-05-31

Wes Anderson's films are like intricately crafted dollhouses. The good ones feel human and alive, like a dollhouse a little girl has filled with her imagination. The bad ones are like a dollhouse on display in an upmarket shop window, existing to be admired rather than enjoyed. The Phoenician Scheme belongs to the latter category. It's not quite as visually meticulous as we've become accustomed to from Anderson, but it still looks better than 90% of the movies that will grace cinema screens this year. Yet while it's easy to admire the upholstery and carpentry of its sets, its story is almost impenetrably uninteresting, as are most of its characters.



New Jersey Stage: Daily Edition 05-31-25

Here is the morning update from New Jersey's arts newswire. We regularly publish between 8-15 new articles and news reports each day. Nobody covers the Arts throughout the Garden State like New Jersey Stage!





2025 New Jersey International Film Festival Filmmaker Interview with The Sandy Mack Experience Director Sarah Ann McCuiston

by Vic Fern
published 2025-05-31

Al Nigrin, Executive Director & Curator of the New Jersey International Film Festival, sits down with Sarah Ann McCuiston, Director, Writer & Producer of The Sandy Mack Experience and her father & subject of the film, Sandy Mack, for a filmmaker interview at EBTV.



Haunting short Chambers Street screens at the 2025 New Jersey International Film Festival on Saturday, May 31!

by Yuri Kim
published 2025-05-30

Some films don’t need a lot of time to leave a mark. Chambers Street, an eight-minute short by director Scott D. Keenan, hit me in a way I didn’t quite expect. It’s experimental, yes, but never in a way that is inaccessible. Instead, it’s haunting, beautiful, and quietly devastating. A reflection of how love, when it ends, doesn’t really leave. It lingers like a shadow.