A battle is being waged for your soul from an office in hell! Witness a fast-paced, tour-de-force performance in this acclaimed adaptation of C.S. Lewis’ satiric masterpiece. This international hit offers a faithful stage adaptation of Lewis’ The Screwtape Letters, following Screwtape, a senior tempter in Hell, as he schemes to capture the soul of an unsuspecting human on earth and reveals spiritual warfare in vivid, humorous and powerful ways.
Shemekia Copeland possesses one of the most instantly recognizable and deeply soulful roots music voices of our time. The multi-GRAMMY nominee is beloved and honored worldwide for the fearlessness, honesty and humor of her revelatory songs, as well as for her winning, engaging personality. The Chicago Tribune says, “Copeland is the greatest female blues vocalist working today. There’s no mistaking the majesty of her instrument, nor the ferocity of her delivery.”
Join us this November on Friday, Nov 6, for an outstanding lineup of singer-songwriters: Barbara Paskin, Dan Ravaglia, Ralph Rassa and The Amboys (Joel D. Brodsky + Michael Balog).
When They’re Gone - After an abrupt encounter at a graveyard, two elderly men form an unexpected bond over the grief and love of their late wives.
Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.
Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.
Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.
This project is cosponsored by the Princeton Humanities Initiative. Princeton Humanities Initiative.
