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For better or worse (worse in this writer’s eyes), the success of the Harry Potter franchise is largely responsible for the current Hollywood landscape of endless sequels, prequels and that awful phrase “universe building.” The Potter films showed Hollywood that it was a far safer financial model to hook audiences into returning for instalments of an ongoing series rather than taking a punt on the unknown quantity of original properties.... READ ON

Earlier this year, writer/director extraordinaire Hirokazu Kore-eda surprised us with The Third Murder, a legal thriller that made for a stark departure from the sentimental family dramas he’s become known for. With his Palme d’Or winning Shoplifters, Kore-eda is back on familiar ground, but this particular family drama shares much in common with The Third Murder. With his thriller, Kore-eda deconstructed the genre, forcing us to question how willingly we place our trust in a storyteller. Similarly, Shoplifters sees Kore-eda lull his audience into a false sense of security, making us develop a warmth and affection towards people who may not warrant such empathy.... READ ON

The image that most defines the 20th century is that of a man standing on the surface of the moon. The man is astronaut Neil Armstrong, but we can’t see his face as he’s wearing a helmet, the glass of which reflects our collective achievement back at us. When he took a small step, we all took a giant leap with him, and Armstrong instantly became more than a mere man, a symbol. With First Man, director Damien Chazelle takes us inside the famous helmet, stripping away the symbol to tell the story of Armstrong the man.... READ ON

In 2013, John Carpenter’s Halloween received a 35th anniversary blu-ray release. The accompanying booklet credited the following line of dialogue to Jamie Lee Curtis’s babysitting heroine Laurie Strode: “Was it the boogeyman?” Of course, that’s a misquote. In the scene in question, Laurie admits to herself that “It WAS the boogeyman,” to which Donald Pleasence’s Doctor Loomis solemnly replies, “As a matter of fact, it was.”... READ ON








New Jersey Film Festival Premieres Matej Silecky’s Baba Babee Skazala: Grandmother Told Grandmother this Sunday, October 7, 2018!... READ ON

Bestor Cram’s important documentary JFK The Last Speech screens at the New Jersey Film Festival this Friday, October 5!... READ ON

The timely film PATIRI in the promised land screens at the New Jersey Film Festival this Friday, October 5!... READ ON

Back in 2006, German cinema scored something of a breakout global hit with Florian Henckel von Donnersmarck’s The Lives of Others, which followed the travails of a group of disgruntled, pro-western artists in communist era East Germany. At the time I couldn’t help viewing the protagonists of Von Donnersmarck’s drama as the sort of people who would be just as discontented with their lot if they found themselves living in the capitalist west. The grass is always greener on the other side.... READ ON

Among the many intriguing films being screened at New Jersey Film Festival Fall 2018, one title immediately caught our eye — Baba Babee Skazala: Grandmother Told Grandmother.  ... READ ON

(NEW BRUNSWICK, NJ) -- The New Jersey Film Festival Fall 2018 runs from September 14 to October 26 on the Rutgers University Campus in New Brunswick, NJ. Showcasing new international films, American independent features, animation, experimental and short subjects, and cutting-edge documentaries, the New Jersey Film Festival Fall 2018 will feature over 30 film screenings.  ... READ ON


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