
The band’s tales of escape are very different than the traditional dreams that teenagers have as they are growing older. Here, the characters long for escape as a means of security; perhaps, naively believing that the country’s enemies will only focus on the East Coast. Two of the best songs on An American Tale follow this premise: “Rushmore” and “Autumn In Disguise.” Whether intentional or not, 9/11 lingers in the background.
Just let me drive away
Instead of chasing hollow dreams
And acquiescing to this mess
Inside my head
Trips home and heart attacks
Don’t bring me down or keep me sane
And running doesn’t do a thing
But numb my face
We can’t go back (we can’t go back)
To how things were (to how things were)
But if I find a highway long enough
I swear I’m gone
I’m moving out to South Dakota, yeah
I’m moving out to South Dakota
-- “Rushmore”
Highlights include “An American Tale,” “Rushmore,” “I’ll Have You Sleeping With The Fishes,” and “Autumn In Disguise.”





Suzanne Vega will perform a career-spanning show including favorites like “Tom’s Diner”, “Luka”, “Marlene On The Wall”, and many more, plus songs from her latest album, Flying with Angels, which was released in May 2025 to critical acclaim. She will be joined on stage by her longtime guitarist, Gerry Leonard (of David Bowie fame), and cellist Stephanie Winters.
Widely regarded as one of the foremost songwriters of her generation, Suzanne Vega emerged as a leading figure of the folk revival of the early 1980s. Accompanying herself on acoustic guitar, Vega sang what has been called contemporary folk or neo-folk songs of her own creation in Greenwich Village clubs. Since the release of her self-titled, critically acclaimed 1985 debut album, she has given sold-out concerts in many of the world’s best-known venues. Known for performances that convey deep emotion, Vega’s distinctive, “clear, unwavering voice” (Rolling Stone) has been described as “a cool, dry sandpaper-brushed near-whisper” by The Washington Post, with NPR Music noting that she “has been making vital, inventive music” throughout the course of her decades-long career. Bearing the stamp of a masterful storyteller who “observes the world with a clinically poetic eye” (The New York Times), Vega’s songs have tended to focus on city life, ordinary people and real-world subjects. Notably succinct and understated, her work is immediately recognizable—as utterly distinct and thoughtful as it was when her voice was first heard on the radio over 40 years ago.


