It is rare for a film to capture a major social issue and equally rare for a film to burrow its way into audiences’ hearts. What We Dreamed of When does both and on a budget that wouldn’t even cover lunch on a Hollywood film set.
I loved the introduction to the short animated film Godzilla's Day Off by Myra Sito Velasquez. It was very retro and fun. I love, love, love this style of animation, it's very South Park which is the reason I was so drawn to this piece. It's very nostalgic for me as my dad was always watching South Park when I was growing up #cartman #godzillabuiltlikecartman #southparkxgodzilla #cartmansdayoff.
Here is Festival Director Al Nigrin’s interview with Counterfeit Kids Director/Writer James Sclafani! Counterfeit Kids screens at the New Jersey International Film Festival on Saturday, May 30, 2026.
Here is the 2026 New Jersey International Film Festival Short Film Video Panel that features Festival Director Al Nigrin and NJIFF Official Selection filmmakers: Jen Nista, Max Beckerman, David Arrow and Gianfranco and Stefania Bello.
After gathering a sizeable following on YouTube with a series of short comedy skits, Curry Barker used that platform to self-release his feature film debut, 2024's found footage thriller Milk & Serial. Available to watch for free, that movie has racked up over two million views. It's no surprise then that Hollywood knocked on Barker's door, but what is perhaps surprising is how much the Blumhouse-backed Obsession feels like an indie movie rather than a Hollywood production. With an intimate cast and just a handful of locations, you suspect Barker would have made Obsession himself if the House of Blum hadn't thrown money in his direction. Unlike so many other filmmakers who have been rendered soulless by the studio system, Barker has maintained his vision here, and he even casts Milk & Serial's Cooper Tomlinson in a major supporting role.
Since coming out of his brief self-imposed "retirement" in 2017, Steven Soderbergh has been knocking out films at a rate close to two a year. He's clearly a filmmaker who cares about his legacy, but an artist doesn't get to determine their legacy. That's up to the public. Some will consider Soderbergh an unimpeachable genius. A few will label him a talentless hack. I suspect most will look back on his prolific filmography as a series of hits and misses. The Christophers, which is very much wrestling with the notion of legacy, is one of the hits.
With his first two films, Caveat and Oddity, Irish writer/director Damian McCarthy established himself as one of the most exciting new voices in horror filmmaking. Hollywood will surely have come calling, but McCarthy has resisted the lure of Tinseltown and stayed put in Ireland, where he can likely remain truer to his vision. Instead, Hollywood has come to McCarthy, with Adam Scott adding star power to McCarthy's third film.
Throughout history, societies have exploited a fear of the unknown to keep the plebs under control. In the medieval Dutch village of director Didier Konings' folk horror Heresy, the surrounding woods are said to harbour an evil force. But just as European adventurers discovered you could sail to the new world without falling off the edge of the planet, our young heroine here finds that salvation awaits her in the forbidden forest.
Following Brady Corbet's Vox Lux and the recent horror sequel Smile 2, David Lowery's Mother Mary is another dark drama centred on a troubled female pop star. It also joins Peter Strickland's In Fabric and the "Weird Tailor" segment of Amicus anthology Asylum to form a sub-genre of horror movies featuring supernatural fabric.
