The production adds an extra layer to this film. First, the music perfectly aids each scene and heightens the emotions no matter the subject. What seems to be a flute and piano adds this feeling of serenity and seems to replicate Fred’s emotions through song. One purpose of adding music is to communicate an idea or feeling that words cannot, the music in this film does just that. The flute and piano-like instruments make the viewer feel more connected to Fred when dealing with a subject that is hard to relate to. Additionally, the music really emphasizes the sorrow in the struggles people faced to come to America. Henry Baum explains the story of how his parents did not come to America because of a single affidavit signature; this story is being told all while a violin is being played. The music introduces and shows the reality of the Holocaust. It creates this contrast between Fred and Henry’s stories. Fred does share some darker stories yet he is mostly enthusiastic throughout the film. The music also contributes to the opposing tones, illustrating this peacefulness and the power of this joyful story which overshadows the somber past. On the side of production, the pacing and editing provide an easy to watch experience where the viewer learns beyond Fred’s story. Interviewing others from outside Fred’s circle introduces additional perspectives on the Holocaust as a whole. Rhonda Fink-Whitman, an interviewee, explains the importance of sharing stories about the Holocaust and naturally why this film is so important; then Derek Mallet, another interviewee, gives further insight on Fred’s democracy teaching job.
Thus, Fred Behrend, the very captivating and enthusiastic main focus, shares his story on the Holocaust and also being reunited with a childhood friend. This film balances themes of light and dark with the overall message being about love. The reunion between Fred and Henry seems so natural, as if they never left each other. This film experiments with music and the emotions it conveys. With all that, Rebuilt from Broken Glass is interesting, informative, and carries an illuminating tone throughout.
Larry Hanover’s documentary Rebuilt from Broken Glass screens at the Fall 2022 New Jersey Film Festival on Saturday, October 8. It will play along with the films Frontier and Saving Strays Online for 24 Hours and In-Person at 7PM in Voorhees Hall #105/Rutgers University, 71 Hamilton Street, New Brunswick, New Jersey. Director Larry Hanover will be present at the In-Person screening to do a Q+A after the showing.
To buy tickets go here:
https://watch.eventive.org/newjerseyfilmfestivalfall2022/play/62c1aad511867700e01c5466
For General Info on the Film Festival go here: https://watch.eventive.org/newjerseyfilmfestivalfall2022
