The Grammy-winning duo Indigo Girls seamlessly blend folk, rock and pop with emotional intimacy and honesty that have defined their music for decades in favorites such as “Closer to Fine,” “Power of Two” and “Galileo.”
On their 16th studio album, Indigo Girls tell their origin story. Look Long is a stirring and eclectic collection of songs that finds the duo of Amy Ray and Emily Saliers reunited with their strongest backing band to date as they chronicle their personal upbringings with more specificity and focus than they have on any previous song-cycle. “We’re fallible creatures shaped by the physics of life,” says Saliers. “We’re shaped by our past; what makes us who we are? And why?”
Produced by John Reynolds (Sinéad O’Connor, Damien Dempsey) and recorded in the countryside outside Bath, England at Peter Gabriel’s Real World Studios, these eleven songs have a tender, revealing motion to them, as if they’re feeding into a Super 8 film projector, illuminating a darkened living room. “When We Were Writers” recounts the flying sparks and passion Saliers felt as a young college student when the duo first started performing together. “Shit Kickin’” is a nuanced love letter to Ray’s Southern heritage. “I’m a little bit left of the ‘salt of the earth’ / That’s alright, I’ll prove my worth,” she sings.
Released in 1989, Indigo Girls’ eponymous major label debut sold over two million units under the power of singles “Closer to Fine” and “Kid Fears” and turned Indigo Girls into one of the most successful folk duos in history. Over a thirty-five-year career that began in clubs around their native Atlanta, Georgia, the Grammy-winning duo has recorded sixteen studio albums (seven gold, four platinum, one double platinum), sold over 15 million records, and built a dedicated, enduring following.
“We joke about being old, but what is old when it comes to music? We’re still a bar band at heart,” says Saliers. “We are so inspired by younger artists and while our lyrics and writing approach may change, our passion for music feels the same as it did when we were 25-years-old.”
Amidst our often-terrifying present, Look Long is a musical balm for those of us in search of a daily refuge, an hour or two when we can engage with something that brings us joy, perspective, or maybe just calm.
“People feel lost in these political times,” explains Saliers. “Let’s lament our limitations, but let’s also look beyond what’s right in front of us, take the long view of things, and strive to do better. As time has gone on, our audience has become more expansive and diverse which gives me a great sense of joy.” Jubilant crowd singalongs that often overpower the band itself are a trademark of Indigo Girls concerts. With the highly anticipated return of live music, soon the night sky over amphitheaters all across the country will fill once again with those collective voices raised in song. The phenomenon epitomizes the sense of belonging and celebration that Indigo Girls’ music radiates. As one bar band once put it, “We go to the doctor, we go to the mountains…we go to the Bible, we go through the work out.” For millions, they go to Indigo Girls. On Look Long they’ll find a creative partnership certain of its bearings, forging a way forward.
Retired United States Army Staff Sergeant Travis Mills of the 82nd Airborne is a recalibrated warrior, motivational speaker, actor, author, and advocate for veterans and amputees. Travis’s New York Times bestselling memoir, Tough as They Come, is currently available for sale in bookstores everywhere. Despite losing portions of both arms and legs from an IED while on active duty in Afghanistan, Travis continues to overcome life’s challenges, breaking physical barriers and defying odds.
Following more than 100 acclaimed performances across North and South America, Europe, and Japan, BEAT returns this fall for the last North American tour. Former King Crimson members Adrian Belew and Tony Levin are joined by guitar virtuoso Steve Vai and legendary drummer Terry Bozzio to perform the music of the three landmark 1980s King Crimson albums—Discipline, Beat, and Three of a Perfect Pair.
Experience the underdog story that defined a generation. Now bigger, bolder, and brought to life with a live symphony orchestra. Watch the original Rocky film on the big screen while the iconic Bill Conti score is performed live, delivering every triumph, every heartbreak, and every adrenaline-fueled moment with knockout power.
Critics were baffled. Audiences stayed away. Now many consider it one of Tom Hanks' and Meg Ryan' most charming and philosophical comedies. Funny, romantic, and surprisingly profound.
The Concert Band & Soldiers’ Chorus are the oldest and largest of The U.S. Army Field Band’s performing components. Founded in 1946 and 1957 respectively, these two ensembles combine to present joint concerts on their national tours. They have performed in all 50 states and 30 foreign countries for audiences totaling hundreds of millions.
The Jazz Ambassadors is the official touring big band of the United States Army. Formed in 1969, this 19-member ensemble has received great acclaim at home and abroad performing America’s greatest original art form, jazz.
Joe Russo's Almost Dead is Marco Benevento, Dave Dreiwitz, Tom Hamilton, Scott Metzger and Joe Russo. We're a Grateful Dead cover band.
Join us for McCarter at the Museum - renowned performing artists in one-night only events at the Princeton University Art Museum.
Jason Robert Brown is a four-time Tony Award-winning composer and lyricist of The Last Five Years, Parade, Songs for a New World, 13, The Bridges of Madison County, Honeymoon In Vegas and The Connector, has performed as a soloist or with his band in venues around the world, including sold-out shows at the London Palladium and Carnegie Hall. His albums as a singer-songwriter include Wearing Someone Else’s Clothes and How We React and How We Recover on Ghostlight, and Coming From Inside the House and Live In Concert with Stephen Sondheim on Concord.
With Special Guest Tony nominee Betsy Wolfe. Tony Award-nominated actress Betsy Wolfe is currently starring as Audrey in the acclaimed Off-Broadway production of Little Shop of Horrors, following her recent Broadway run as Madeline Ashton in the hit musical Death Becomes Her. She previously originated the title role in Joy, the new musical inspired by inventor Joy Mangano, and earned a 2023 Tony Award nomination for Best Featured Actress in a Musical for her celebrated performance as Anne Hathaway in & Juliet. Other Broadway credits include starring as Jenna in Waitress, Cordelia in the acclaimed revival of Falsettos, Bullets Over Broadway, The Mystery of Edwin Drood, Everyday Rapture, and 110 in the Shade, as well as her critically acclaimed performance as Cathy in the Off-Broadway revival of The Last Five Years. Wolfe made her Metropolitan Opera debut in Die Fledermaus and has appeared as a guest artist with more than 65 symphony, pops, and philharmonic orchestras worldwide, including the New York Philharmonic and BBC Symphony Orchestra, with performances at Carnegie Hall and the Kennedy Center. Her screen credits include First One In, Estella Scrooge, CBS’s Instinct, and the film adaptation of The Last Five Years. Wolfe is also the co-founder of BroadwayEvolved, the acclaimed musical theatre training program she launched in 2018 to train and mentor the next generation of theatre artists.
A limited number of early access tickets for McCarter Director’s Circle members and members of the Museum’s Partner Circle are available, on sale Wednesday, September 16, 2026 at 12:00 PM. General public on sale begins Friday, September 18, 2026 at 12:00 PM.
Please be aware there is no public drop-off or parking at the Museum. For visitors with mobility needs, please contact the Museum at least three business days in advance of your visit to request special access to the Museum via Elm Drive. Call 609-258-3788 and select option 1 to speak to a visitor services staff member, or email Louise Barrett at [email protected].
Celebrate 100 years of Miles Davis! The GRAMMY®-nominated trumpeter and bandleader Jon Faddis carries on the legacy in this anniversary tribute. He’ll spotlight Davis’s game-changing 1957 album Birth of the Cool and his 1959 modal masterpiece Kind of Blue. The all-star ensemble includes both new and familiar faces to NJPAC jazz audiences: Erena Terakubo (alto sax), Gary Smulyan (bari sax), Steve Turre (trombone), John Clark (French horn), Bob Stewart (tuba), Mike LeDonne (keys), Todd Coolman (bass) and John Riley (drums).
The legendary Rhode Island multi-platinum rock’n’roll group JOHN CAFFERTY & THE BEAVER BROWN BAND began their career in 1973 and achieved mainstream success in the 1980s with the “Eddie & The Cruisers – Motion Picture Soundtrack”. The hit single “ON THE DARK SIDE” held the “#1” position on the Billboard Rock charts and the MTV video charts for five consecutive weeks.
(HAMPTON, NJ) -- Hunterdon Hills Playhouse presents Christmas at the Playhouse 2026 from November 10 to December 20, 2026. Celebrate the season with this spectacular holiday production filled with the music, memories, and traditions audiences have cherished through the years.
(TOMS RIVER, NJ) -- Join journalist Paul Vigna for an eye-opening conversation about his provocative new book, The Almightier: How Money Became God, Greed Became Virtue, and Debt Became Sin, during a virtual discussion on Wednesday, November 11, 2026 presented by the Ocean County Library. The event begins at 2:00pm.
(PLAINFIELD, NJ) -- Ferrell Studios presents Carrie, the Musical at the Plainfield Performing Arts Center from November 12-15, 2026. Based on the classic novel by Stephen King, the musical poses the question: What happens when someone is pushed too far?
(HACKETTSTOWN, NJ) -- Centenary Stage Company's Fringe Festival continues with Ghost Dance: Picture of a Madman, a captivating one-woman play written and performed by Erica Knight. Running November 12–15, 2026, in the Kutz Theatre at the Lackland Performing Arts Center on the campus of Centenary University. The production explores the turbulent life and legacy of Ralph Albert Blakelock, one of America's most celebrated yet tragically overlooked nineteenth-century painters.
