(ASBURY PARK, NJ) -- It's never easy asking for help, but dire times call for dire measures. The Saint, a rock and roll club in Asbury Park, has set up a GoFundMe crowdfunding page to help raise funds for its stability and growth. The club, which launched in November 1994, is one of the oldest, continously run rock and roll venues in the state. While larger places like the Stone Pony get the majority of press, The Saint has always been the place to see artists on their first go around through town. For many years, it was also my home away from home.
I've seen hundreds of artists and bands perform there over the years. It's always been the type of club where music writers, DJs, and musicians would hang out at. The type of venue where you could see touring bands from across the country perform even though they were unlikely to have any draw at all. Where you could pop in any night and see a great show. Scott Stamper, the owner of The Saint, has always been a true music fan and a die-hard supporter of independent musicians. He's made many long-standing relationships with bands early on in their careers, which would bring them back to the tiny (about 150 person capacity) club years after they should have graduated to larger venues.
"Asking for help is a difficult thing to do," said Stamper on the GoFundMe page. "While some venues withstand the test of time, many of our historic venues haven't fared as well. Many of music's most iconic venues have been lost. It is with great humility and much respect for the music and arts community that I am reaching out for support on behalf of THE SAINT. I have been and remain devoted to providing an intimate stage for local artists and the touring road show, across all ages and genres. We are in the process of developing a sustainable business model for The Saint so that moving forward we can continue to bring live original music to New Jersey while providing a state-of-the-art haven for music and the arts."
In recent years, I've had a bit of a love/hate relationship with the club. Stamper and The Saint have been the driving forces behind some of the most important events in the Asbury Park music scene and some of my best memories from the Wave Gathering Music Festival to the Asbury Music Awards. The club has experimented with everything from the Asbury Cafe shows which turn the club into a listening room of sorts to comedy, poetry, and storytelling nights. It's the type of club that inspires a loyal following. With its small staff, regulars often feel at home there. However, the club has also turned down help from people over the years. For every moment that looks like they are visionaries, there are equal amounts of moments when they follow the standard procedure of Asbury Park -- a city that rarely innovates for as much potential it offers. I think it all comes back to not wanting to ask for help and not recognizing when help was being offered. Sometimes I wonder if they realize just how much support was available to them over the years.
In a perfect world, venues like The Saint would be around for generation after generation, but this isn't a perfect world. It has also been a horrible period for music venues in the tri-state area. We've seen legendary clubs like CBGB's and The Bottom Line shut their doors since the turn of the century. Garden State venues like Maxwell's and the Court Tavern have reemerged with new owners after shutting down, but showed how vulnerable they are. In Asbury Park, the future of Asbury Lanes is still in doubt despite being a venue that was so unique and beloved that it often garnered national press in tourist publications.
The message is clear: any venue can close, regardless of its history.
People just don't go out to clubs the way they used to. You can blame it on the changes in radio, the dawn of the Internet and music streaming sites, or even the threat of DWI -- but it's harder and harder for clubs to have the type of crowds they need to survive. If you ever spent any time at The Saint or if you believe in independent music, I urge you to donate if you can. Some things are worth saving. The Saint is one of them.
"We hope to raise $25,000 through this fundraising effort, which will allow us to keep The Saint on track and ensure stability and growth," the club said on the GoFundMe page. "To the many friends that know and love The Saint, we sincerely appreciate any contribution - no matter how big or small, whether it’s one dollar or one-hundred dollars. We humbly thank you in advance for spreading the word with those whose lives The Saint may have touched."
Join us for McCarter at the Museum - renowned performing artists in one-night only events at the Princeton University Art Museum.
Jason Robert Brown is a four-time Tony Award-winning composer and lyricist of The Last Five Years, Parade, Songs for a New World, 13, The Bridges of Madison County, Honeymoon In Vegas and The Connector, has performed as a soloist or with his band in venues around the world, including sold-out shows at the London Palladium and Carnegie Hall. His albums as a singer-songwriter include Wearing Someone Else’s Clothes and How We React and How We Recover on Ghostlight, and Coming From Inside the House and Live In Concert with Stephen Sondheim on Concord.
With Special Guest Tony nominee Betsy Wolfe. Tony Award-nominated actress Betsy Wolfe is currently starring as Audrey in the acclaimed Off-Broadway production of Little Shop of Horrors, following her recent Broadway run as Madeline Ashton in the hit musical Death Becomes Her. She previously originated the title role in Joy, the new musical inspired by inventor Joy Mangano, and earned a 2023 Tony Award nomination for Best Featured Actress in a Musical for her celebrated performance as Anne Hathaway in & Juliet. Other Broadway credits include starring as Jenna in Waitress, Cordelia in the acclaimed revival of Falsettos, Bullets Over Broadway, The Mystery of Edwin Drood, Everyday Rapture, and 110 in the Shade, as well as her critically acclaimed performance as Cathy in the Off-Broadway revival of The Last Five Years. Wolfe made her Metropolitan Opera debut in Die Fledermaus and has appeared as a guest artist with more than 65 symphony, pops, and philharmonic orchestras worldwide, including the New York Philharmonic and BBC Symphony Orchestra, with performances at Carnegie Hall and the Kennedy Center. Her screen credits include First One In, Estella Scrooge, CBS’s Instinct, and the film adaptation of The Last Five Years. Wolfe is also the co-founder of BroadwayEvolved, the acclaimed musical theatre training program she launched in 2018 to train and mentor the next generation of theatre artists.
A limited number of early access tickets for McCarter Director’s Circle members and members of the Museum’s Partner Circle are available, on sale Wednesday, September 16, 2026 at 12:00 PM. General public on sale begins Friday, September 18, 2026 at 12:00 PM.
Please be aware there is no public drop-off or parking at the Museum. For visitors with mobility needs, please contact the Museum at least three business days in advance of your visit to request special access to the Museum via Elm Drive. Call 609-258-3788 and select option 1 to speak to a visitor services staff member, or email Louise Barrett at [email protected].
