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REVIEW: "The Snowman"

By Eric Hillis, TheMovieWaffler.com

originally published: 10/24/2017

REVIEW: "The Snowman"

Somehow, the internet convinced the masses that bacon is a delicious foodstuff. Come on now, it’s bacon for heaven’s sake. It’s perfectly fine, and I enjoy a good rasher as much as anyone, but seriously folks.

Likewise the fear of clowns. Thanks to a series of internet memes, we’ve all become convinced that clowns are scary. They’re not! While a miniscule portion of the populace may genuinely suffer from coulrophobia, the rest of us wildly overplay the effect a man in pasty make-up and big shoes has on our nerves.

Snowmen aren’t scary either. There’s simply no way to make two lumps of snow, a carrot and a few raisins terrifying, which is why the 1997 killer snowman thriller Jack Frost is such a comedy classic - it knows how ridiculous its concept is and wisely plays it for laughs.

The people behind The Snowman - an adaptation of the seventh(?!) book in Norwegian author Jo Nesbo’s Harry Hole (stop sniggering at the back) series - have clearly never watched Jack Frost. Their film is full of ‘moody’ shots of snowmen, all accompanied by ominous music. It’s laughable for all the wrong reasons. Yet, that’s the least of this film’s problems.

Not since The Counselor have so many talented people conspired to make such an absolute catastrophe of a motion picture as The Snowman. It’s directed by the highly regarded Tomas Alfredson (Tinker Tailor Soldier Spy). It’s based on a novel by one of the most acclaimed proponents of the literary genre that’s come to be known as ‘Nordic Noir’. Nesbo’s story has been adapted by writers Hossein Amini (Drive) and Peter Straughan (the aforementioned Tinker Tailor). Thelma Schoonmaker, who may be the most respected editor in the history of cinema, cut the damn thing, presumably having signed on when Martin Scorsese was attached to direct. Meanwhile, the cast reads like a roster of the finest working talent of Northern Europe and the US.



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Leading that impressive ensemble is Michael Fassbender as Harry Hole (the Norwegian pronunciation of the surname is ‘Hula’, but everyone here regrettably pronounces it phonetically). Harry is an alcoholic. Well, he’s one of those Hollywood alcoholics who wakes up on a park bench at the beginning of the movie and then never touches a drop of gargle for the rest of its duration. The Oslo police department (whose HQ resembles that of a hipster tech firm, all futons and table tennis) tolerate Harry because he’s said to be a genius, though the movie portrays him as the worst screen detective since Inspector Clouseau.

REVIEW: "The Snowman"

Harry’s latest case sees him teaming up with a rookie, Katrine (Rebecca Ferguson), a missing persons specialist, to investigate a serial killer who bumps off women who happen to be mothers, leaving a (not remotely scary) snowman at the scenes of his crimes.

Nesbo has written and sold an awful lot of books, so I’m forced to assume his version of The Snowman boasts coherent plotting and characters who behave like human beings. For some bizarre reason, that’s not remotely what we get with this screen adaptation.

The plot is riddled with more holes than a block of Jarlsberg cheese, with the killer turning up to murder characters in locations he couldn’t possibly have known they could be found at, and Hole failing to notice the most blatant of clues as to who said killer is.

Characters are introduced, like JK Simmons’ sleazy politician and Val Kilmer’s alcoholic ex-detective, only to simply disappear from the narrative, their seemingly important sub-plots left unresolved.

Kilmer, it has to be said, is a far more convincing drunk than Fassbender, but I suspect he may have plunged a little too deep into his role. His performance is truly bizarre, and I have no idea what we’re supposed to make of his character’s inclusion. Similarly, I’m still wondering why the film made such a big deal over a prescription of sleeping pills without ever resolving that element.

Perhaps such lack of resolution can be put down to this being an adaptation of the seventh instalment in a literary series that currently totals 11 books. Watching The Snowman often feels like jumping into the fourth season of a TV show without having seen the previous three, and the relationship between Harry and his ex-wife (Charlotte Gainsbourg) particularly plays like the climax of a long-running plotline we haven’t been exposed to.

What’s frustrating about The Snowman is that many of its niggling issues could easily be fixed by simply removing a couple of pointless sub-plots and a day or two of reshoots to fill in the remaining narrative blanks. The movie would greatly benefit from letting the audience know the killer’s identity from the beginning, adding a touch of suspense to every otherwise innocuous scene they appear in. As it is, the climactic reveal raises more questions than answers, and is another example of that annoying trope of a killer who behaves perfectly normally until the climax, when they transform into a moustache twirler.

At time of writing, The Snowman’s imdb page lists Claire Simpson (an Oscar winner for her work on Platoon) as its editor, while the print I saw named Schoonmaker in the role. I can’t help but surmise the producers of The Snowman believed their film could be saved in the editing bay. Simpson and Schoonmaker may be as good as their craft gets, but this is a turd even they couldn’t polish.

1 1/2 Stars Out of 5

Directed by: Tomas Alfredson; Starring: Michael Fassbender, Rebecca Ferguson, Chloë Sevigny, Val Kilmer, JK Simmons, Charlotte Gainsbourg, David Dencik, Toby Joness





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Harry Potter and the Goblet of Fire Live in Concert At NJPAC
(NEWARK, NJ) -- New Jersey Performing Arts Center (NJPAC) presents Harry Potter and the Goblet of Fire Live in Concert. Don’t miss the fourth installment of Harry Potter in Concert when NJPAC hosts the full-length film Harry Potter and the Goblet of Fire, projected in high-definition on a giant screen, with Oscar-nominated composer Patrick Doyle’s masterful score performed live by the New Jersey Symphony Orchestra on Saturday, October 27, 2018 at 2:00pm & 7:30pm. 
Hopewell Theater To Celebrate Halloween With Fright Fest Week of Horror Films
(HOPEWELL, NJ) -- For an entire week, Hopewell Theater will celebrate Halloween with, Fright Fest, a mini fest of classic Halloween horror films from October 25 - 31, 2018. The slate of films are icons of horror cinema, and will be displayed in all their gory glory on the big screen. 
"Mother Of All Secrets" To Screen At Golden Door International Film Festival
(JERSEY CITY, NJ) -- The Golden Door Film Festival is hosting a red carpet screening of the female-led thriller, Mother of All Secrets, on Friday, September 21 at Landmark Loew’s Theatre with several stars in attendance. The movie, which was entirely shot in Bermuda, stars Emmy award-winner Kate Mansi, Top Gun star Kelly McGillis, Real Housewives of New York LuAnn de Lesseps, Brooke Burfitt and local Jersey actor Sean Stolzen. 
Golden Door International Film Festival To Present A Screening of "The Pretender"
(JERSEY CITY, NJ) -- One of the most popular sports films in history is Rocky - a film that mirrors the real life experience of professional boxer Chuck Wepner from Bayonne. A new independent film called The Pretender takes viewers inside the life of Mike Kunda, a “Rocky” fanatic since the movie’s release nearly 40 years ago. The film explores Mike’s fascination with the Rocky Balboa character and how it continues to impact his life, and the lives of others, in interesting and unimaginable ways. The film screens as part of the Golden Door International Film Festival on Sunday, September 23rd at 12:00pm at the Landmark Lowe’s Jersey Theatre (54 Journal Square Plaza) in Jersey City, NJ.
Hopewell Theater Offers Crybaby and Family Matinees
(HOPEWELL, NJ) -- Hopewell Theater is presenting a special monthly movie matinee, “Crybaby Matinee” just for parents and little ones. Toddlers as well as babes-in-arms, infants in strollers and carriers are all welcome to attend. These special Thursday morning screenings offer a sensory-friendly environment – lights are turned up, sound is turned down, and talking and noise is allowed. Latecomers are admitted and guests can move around. The matinees are a fun and affordable option for families, tickets are $6.00 and babes-in-arms, infants in strollers and carriers are admitted free. Hopewell Theater is also offering Saturday “Family Matinees” one Saturday a month, featuring screenings of new and classic films that families with older children can enjoy. Tickets are $6.00 per person.


Michael Gallagher’s terrific comedy Funny Story Premiere’s at the Fall 2018 New Jersey Film Festival this Friday, September 14!
Michael Gallagher’s terrific feature Funny Story Premiere’s at the Fall 2018 New Jersey Film Festival this Friday, September 14!
The Luring: Fear & Neurosis In Vermont
“As a kid, I was always drawn to the darkness,” said filmmaker Christopher Wells.  “I’d think, ‘Why can’t monsters protect me? If I’m friends with the monsters then I don’t have anything to fear.’”
REVIEW: "Searching"
A few weeks ago the body of a 14-year-old schoolgirl was discovered around the corner from where I’m sitting writing this review. Within hours of the tragic discovery, two 13-year-old boys had been arrested. The police had their work simplified by a series of damning posts across social media which pointed to the guilt of the boys in question. Increasingly, when young people go missing or have their lives taken from them, police investigations are now focused more on trawling through the victim’s internet history in search of clues rather than the pavement pounding of old.
REVIEW: "The Children Act"
Earlier this year saw the release of On Chesil Beach, an adaptation of an Ian McEwan novel centered around a wealthy musician who can’t bring herself to have sex with her husband. Now we get The Children Act, an adaptation of an Ian McEwan novel centred around a wealthy musician who can’t bring herself to have sex with her husband. Both are scripted by the novelist himself, and both suggest McEwan should stick to the literary world.
New Jersey Film Festival Fall 2018 Preview
(NEW BRUNSWICK, NJ) -- The New Jersey Film Festival Fall 2018 runs from September 14 to October 26 on the Rutgers University Campus in New Brunswick, NJ. Showcasing new international films, American independent features, animation, experimental and short subjects, and cutting-edge documentaries, the New Jersey Film Festival Fall 2018 will feature over 30 film screenings.  The Festival runs on select Thursday, Friday and Sunday evenings. For the complete schedule visit www.NJFilmFest.com. Here is a look at the screenings for September.






Event calendar
Thursday, Sep 20, 2018


MUSIC

ELI YOUNG BAND WITH CODY BRYAN @ The Stone Pony, Asbury Park - 7:00pm

CELTIC THUNDER X @ Mayo Performing Arts Center (MPAC), Morristown - 8:00pm

Lost 80's Live @ State Theatre New Jersey, New Brunswick - 8:00pm

Citizen Cope @ The Newton Theatre, Newton - 8:00pm

ICON 2018: ELIMINATION ROUND 2 @ Hamilton Stage @ Union County Performing Arts Center (UCPAC), Rahway - 8:00pm

Linda Eder @ Count Basie Center For The Arts, Red Bank - 8:00pm

Doug Deming & The Jewel Tones @ Lizzie Rose Music Room, Tuckerton - 7:30pm







THEATRE

Souvenir @ Surflight Theatre, Beach Haven - 2:00pm and 8:00pm

East Lynne Theater Company presents SILENT SKY @ First Presbyterian Church (Cape May), Cape May - 8:00pm

The Shuck @ Cape May Stage, Cape May - 7:30pm

Auditions for Seussical at CDC Theatre @ CDC Theatre, Cranford - 7:00pm

Playhouse 22's Third-Thursday Play Reading Series @ Playhouse 22, East Brunswick - 7:30pm

West End Festival of the Arts- Opening Reception @ West End Arts Center, Long Branch - 6:00pm

One Flew Over the Cuckoo's Nest @ Black Box PAC, Teaneck - 8:00pm

Brick City @ Premiere Stages at Kean University, Union - 8:00pm


FILM

New Jersey Film Festival @ Ruth Adams Building #001, New Brunswick - 6:00pm


KIDS

Crybaby Matinee: The Triplets of Belleville @ Hopewell Theater, Hopewell - 11:00am

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