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REVIEW: Sweet Virginia

By Eric Hillis, TheMovieWaffler.com

originally published: 11/22/2017

REVIEW: Sweet Virginia

Have you ever watched a movie and come away wishing it had focused its attention on one of its supporting characters? That’s the feeling I had after viewing director Jamie M Dagg’s Alaska set, noirish, contemporary western Sweet Virginia.

Dagg’s film opens with a moment of seemingly spontaneous violence, as a young man guns down three poker players after hours in a diner. We soon learn that the killing was premeditated. Well, not quite. The perpetrator, Elwood (Christopher Abbott), was hired to kill just one of the men, but decided it was easier to remove any loose ends. His employer is Lila (Imogen Poots), who promised Elwood $50,000 to murder her husband. Lila intends to pay Elwood out of the insurance money she expects to receive from her hubby’s death, but it turns out her other half was keeping his dire financial state a secret, and not only is Lila left out of pocket, but the bank is set to take her home. With a violent hitman expecting a cash payment, what’s the desperate Lila to do?

With this intriguing setup, you would expect Lila to be the central protagonist of the story, but Dagg’s film, penned by brothers Benjamin and Paul China, instead averts its gaze onto Sam (Jon Bernthal), a former rodeo star who now manages the motel where Elwood is hiding. While waiting for Lila to rustle up his fee, Elwood makes friends with the shy Sam, the two men awkwardly bonding over their Virginia backgrounds. Meanwhile Sam is romantically involved with Bernadette (Rosemarie DeWitt), the widow of one of Elwood’s victims.

As thrillers go, Sweet Virginia is commendably invested in exploring the psychology of its characters. Though the four main players are caught up in a typical genre narrative, every member of the quartet feels like a genuine person, and we empathize with them all to varying degrees.

Continuing the trend set by Willem Dafoe in The Florida Project, this film casts another actor known for playing villains as a kindly motel manager, and gives Bernthal his finest role to date. His Sam is the closest the film has to an out and out upright citizen, though he tortures himself for his role in his affair with Bernadette. Limping from an injury sustained during his rodeo days, he resembles one of those great broken down protagonists from a Sam Peckinpah movie.



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Bernadette is perhaps the most morally complex of the quartet, confessing she was unable to shed a tear over her husband’s death. The film never paints her deceased spouse in a bad light, which adds to the pathos of the scenario and Sam’s moral conflict. Though Lila is responsible for the deaths of three men, it’s difficult not to empathize with her because she seems to be keeping secrets about her husband’s treatment of her. Even the sinister Elwood is sympathetic to a degree, a socially awkward loner who makes long distance phone calls to his mother and has an attack of conscience late on, even though it could prove his downfall.

REVIEW: Sweet VirginiaWhile Dagg’s film may work better as a character study than a thriller, that’s not to say it doesn’t offer its share of thrills. Dagg fashions a couple of genuinely nail-biting sequences, with an extended scene in which Lila grows increasingly paranoid about the car that appears to be following her. Overall, Lila is sadly short-changed, fading into the background to such a degree that it almost feels like much of her footage was left on the cutting room floor, and at several points you may find yourself asking “What’s Lila doing right now?” I certainly found myself puzzled as to how someone like Lila came into contact with a hired killer in the first place.

Sweet Virginia is one of the most engrossing thrillers of recent years, but had it taken more time to explore the emotional turmoil and existential terror experienced by Lila, it could have been a modern classic. It seems an odd complaint in this era of bloated runtimes, but Sweet Virginia could have benefitted from another 30 minutes.

4  stars out of 5

Directed by: Jamie M Dagg

Starring: Jon Bernthal, Imogen Poots, Christopher Abbott, Rosemarie DeWitt





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Harry Potter and the Goblet of Fire Live in Concert At NJPAC
(NEWARK, NJ) -- New Jersey Performing Arts Center (NJPAC) presents Harry Potter and the Goblet of Fire Live in Concert. Don’t miss the fourth installment of Harry Potter in Concert when NJPAC hosts the full-length film Harry Potter and the Goblet of Fire, projected in high-definition on a giant screen, with Oscar-nominated composer Patrick Doyle’s masterful score performed live by the New Jersey Symphony Orchestra on Saturday, October 27, 2018 at 2:00pm & 7:30pm. 
Hopewell Theater To Celebrate Halloween With Fright Fest Week of Horror Films
(HOPEWELL, NJ) -- For an entire week, Hopewell Theater will celebrate Halloween with, Fright Fest, a mini fest of classic Halloween horror films from October 25 - 31, 2018. The slate of films are icons of horror cinema, and will be displayed in all their gory glory on the big screen. 
​​​​​​​The Newton Theatre Presents a Silent Film Halloween With A Live Orchestra
(NEWTON, NJ) -- The Newton Theatre presents a trio of ghostly silent films paired with the original historic orchestral scores on Saturday, October 27 at 3:00pm. Travel back to the early 1900s to cheer and hiss with Buster Keaton in The Haunted House (1921), Laurel and Hardy in Habeus Corpus (1928), and Charlie Chaplin in One A.M. (1916). Between the films, enjoy the rollicking rhythms of the early 20th century as played by The Peacherine Ragtime Orchestra, featuring favorites by Scott Joplin, Irving Berlin, and more! Fun for the whole family!
A Look At New Jersey Film Festival's Fall 2018 Lineup
(NEW BRUNSWICK, NJ) -- The 36th Bi-annual New Jersey Film Festival Fall 2018 will take place at Rutgers University in New Brunswick from September 14 - October 26.  The festival showcases new international films, American independent features, animation, experimental and short subjects, and cutting-edge documentaries through over 30 film screenings. The Festival will run on select Thursday, Friday, Saturday, and Sunday evenings. The festival is presented by Rutgers Film Co-op/New Jersey Media Arts Center, in association with the Rutgers University Program In Cinema Studies.
Count Basie Center For The Arts Hosts A Conversation With John Cusack & Screening of "Say Anything"
(RED BANK, NJ) -- The Count Basie Center For The Arts hosts a conversation with John Cusack following a screening of the eighties classic Say Anything. NOTE: Due to a scheduling conflict, John Cusack Live has been rescheduled to Sunday, October 21 at 7:00pm. All tickets will be honored on October 21.


Michael Gallagher’s terrific comedy Funny Story Premiere’s at the Fall 2018 New Jersey Film Festival this Friday, September 14!
Michael Gallagher’s terrific feature Funny Story Premiere’s at the Fall 2018 New Jersey Film Festival this Friday, September 14!
The Luring: Fear & Neurosis In Vermont
“As a kid, I was always drawn to the darkness,” said filmmaker Christopher Wells.  “I’d think, ‘Why can’t monsters protect me? If I’m friends with the monsters then I don’t have anything to fear.’”
REVIEW: "Searching"
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REVIEW: "The Children Act"
Earlier this year saw the release of On Chesil Beach, an adaptation of an Ian McEwan novel centered around a wealthy musician who can’t bring herself to have sex with her husband. Now we get The Children Act, an adaptation of an Ian McEwan novel centred around a wealthy musician who can’t bring herself to have sex with her husband. Both are scripted by the novelist himself, and both suggest McEwan should stick to the literary world.
New Jersey Film Festival Fall 2018 Preview
(NEW BRUNSWICK, NJ) -- The New Jersey Film Festival Fall 2018 runs from September 14 to October 26 on the Rutgers University Campus in New Brunswick, NJ. Showcasing new international films, American independent features, animation, experimental and short subjects, and cutting-edge documentaries, the New Jersey Film Festival Fall 2018 will feature over 30 film screenings.  The Festival runs on select Thursday, Friday and Sunday evenings. For the complete schedule visit www.NJFilmFest.com. Here is a look at the screenings for September.






Event calendar
Tuesday, Sep 25, 2018


MUSIC

Cafe Tacvba with special guest Ruen Brothers – Niu Gueis Tour 2018 @ Prudential Hall @ New Jersey Performing Arts Center (NJPAC), Newark - 8:00pm

Seuls en Scene French Theater Festival - "Gonzo Conference" @ Donald G. Drapkin Studio at Lewis Arts complex, Princeton - 8:00pm

Joan Baez @ Count Basie Center For The Arts, Red Bank - 8:00pm

Record Club: Pink Floyd's The Dark Side of the Moon @ Pollak Theatre @ Monmouth University, West Long Branch - 7:30pm


KIDS

West End Festival of the Arts- Children's Storytelling @ West End Arts Center, Long Branch - 4:00pm

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