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Katharine Houghton on BOOKENDS

By Gary Wien

originally published: 07/01/2007


NJ Repertory Theatre in Long Branch presents another world premiere play this month. This time around it's a musical called BOOKENDS written by the playwright/actress Katharine Houghton.

Katharine Houghton is best known for her role as Joanna "Joey" Drayton, the Caucasian ingenue with an African-American fiancé, whom she brings home to meet her parents, in the 1967 film Guess Who's Coming to Dinner.

Her list of other films include Ethan Frome, Mr. North, The Night We Never Met, Billy Bathgate, The Gardener and Let it Be You. Katharine has appeared on Broadway in Our Town, The Front Page and A Very Rich Woman. Her regional theatre credits include roles in over fifty productions. Her play Buddha, was published in Best Short Plays of 1988. Other plays that have been produced include Merlin, The Merry Month of May, Mortal Friends, On the Shadyside, The Right Number and Phone Play. Her newest play, Only Angels, is in development in New York.

Houghton was named after her maternal grandmother Katharine Hepburn.

 





 

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Tell me a little about BOOKENDS, What is the play about?

BOOKENDS is a musical for anyone of any age who has ever had a raging dream to do something or be someone unusual and who has been told it is impossible. The songs derive from the passions of all the warring hearts and competing agendas - each one sure of what it means to live life fully. No one is right, no one is wrong, but the secret of life is to find your own unique path and travel it with joyful perseverance.

The story, which is true but not about me, revolves around two women, Leona Rostenberg and Madeleine Stern. Two plots intertwine. One concerns the women in old age, the other concerns their youth. The problem of the seniors - one wants to quit their almost 60 year business in antiquarian books, the other doesn't. Their argument invokes scenes from their past that are relevant to their present situation, and by reliving those scenes of their salad days, it sets the stage for their ultimate solution. This is not a play concerned with nostalgia.

 

BOOKENDS seems pretty ambitious - it has a relatively large cast for a musical that revolves around two girls. Do the other actors have significant roles or are they more for the soundtrack?

The musical is madly ambitious and we are all insane to try it, especially with only 3 weeks of rehearsal and 1 week of tech, but we felt it was worth a go. It has a cast of 14, all wonderful singers and actors. Except for the older and younger Madys & Leonas, everyone plays a variety of important roles and everyone has at least one terrific song, as well as being part of several wonderful ensemble numbers.

 




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What led you decide to make this a musical?

I decided to make this story a musical because I've known Madeleine and Leona well for over 20 years and I've always felt that their story was a story for our time. Women are still trying to find their way in a man's world and these two women did it with glory. They came of age in the 30s in my beloved Manhattan, but the challenges and put-downs they experienced are still felt by women today. An example: well respected director Emily Mann, currently based in Princeton, NJ, I believe, was told by her professors at Harvard in 1974 that she could never direct for professional theatre or film because she was a woman, that she would have to confine her efforts to children's theatre. Fortunately she was not deterred.

By making BOOKENDS a musical instead of a play it allows me to use the songs to reveal secret thoughts and feelings in a way that I hope will be entertaining as well as affecting.

I am hoping that a musical about charming, humorous, conquering women will have an audience - an audience of both women and the men who love them.

 

Have you written a musical before?

In the 80s when I was doing a lot of writing for the fabulous Downstairs Theatre Bar at the Westbank Café on 42nd St. I wrote a one act musical based on an O'Henry short story called The Merry Month Of May. Other than that I've written only plays and screenplays.

 

Finally, it's always wonderful when you have a film like Guess Who's Coming To Dinner? on your resume but I was wondering if it ever bothered you that your best known film was your first?

I suppose if I'd done nothing after Guess Who's Coming To Dinner, it would be a sort of thorn in my side that it is for most people my best known work. But after that film I spent 15 years in the wonderful regional theatres of America playing over 50 leading roles in classical drama.





 

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Also, with Ken Jenkins, who is directing BOOKENDS and who is currently best known for his six seasons on NBC's cult hit comedy, "Scrubs", playing Dr. Kelso, I ran a theatre company for 13 years called Pilgrim Repertory Co. We toured several works all around, especially to places that didn't have the opportunity to see live theatre. We called it our "Arts Missionary Work." Ken wrote a pastiche called Shakespeare For Lovers And Others, which was one of our most popular productions. We made all our own sets, costumes, props etc. as well as acting all the parts. It was colossal good fun.

I guess that was just my destiny. And hanging out with all those brilliant writers, from Shakespeare and Shaw to Williams and O'Neill, no doubt had some small effect on my playwrighting.

About the author:

Gary Wien has been covering the arts since 2001 and has had work published with Jersey Arts, Upstage Magazine, Elmore Magazine, Princeton Magazine, Backstreets and other publications. He is a three-time winner of the Asbury Music Award for Top Music Journalist and the author of Beyond the Palace (the first book on the history of rock and roll in Asbury Park) and Are You Listening? The Top 100 Albums of 2001-2010 by New Jersey Artists. In addition, he runs New Jersey Stage and the online radio station The Penguin Rocks. His personal website is at lightyscorner.com. He can be contacted at [email protected].



For

For Colored Girls Who Have Considered Suicide/when The Rainbow Is Enuf,

Sunday, November 08, 2026 @ 4:00pm
Middletown Arts Center
36 Church Street, Middletown, NJ

Dunbar Repertory Company presents Ntozake Shange’s FOR COLORED GIRLS Who have Considered Suicide/When the Rainbow is Enuf, the groundbreaking “choreopoem” – a spellbinding collection of vivid prose and free verse narratives about and performed by Black women. Directed by Darrell Lawrence Willis, SR.

 
Fellowship

Fellowship For Performing Arts Presents C.s. Lewis' The Screwtape Letters

Sunday, November 08, 2026 @ 3:00pm
New Brunswick Performing Arts Center (NBPAC)
11 Livingston Avenue, New Brunswick, NJ

A battle is being waged for your soul from an office in hell! Witness a fast-paced, tour-de-force performance in this acclaimed adaptation of C.S. Lewis’ satiric masterpiece. This international hit offers a faithful stage adaptation of Lewis’ The Screwtape Letters, following Screwtape, a senior tempter in Hell, as he schemes to capture the soul of an unsuspecting human on earth and reveals spiritual warfare in vivid, humorous and powerful ways.

 
Lewis

Lewis Center For The Arts Presents "oratorio For Living Things"

Sunday, November 08, 2026 @ 2:00pm
McCarter Theatre Center (Berlind Theatre)
91 University Place, Princeton, NJ

Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.


Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.


Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.

 
George

George Street Playhouse Presents Vicki Lawrence & Mama: A Two-woman Show

Friday, November 13, 2026 @ 7:30pm
New Brunswick Performing Arts Center (NBPAC)
11 Livingston Avenue, New Brunswick, NJ

Written by and starring Vicki Lawrence 
Two Performances Only  
 
Vicki Lawrence, the legendary actress, comedian, and singer, brings her signature wit and charm to the stage in Vicki Lawrence and Mama: A Two-Woman Show. Best known for her iconic role as Thelma Harper, or "Mama," from The Carol Burnett Show and Mama’s Family, Lawrence delivers a hilarious and heartfelt performance that takes audiences on a journey through her extraordinary career. From her Emmy-winning years alongside Carol Burnett to her chart-topping hit, “The Night the Lights Went Out in Georgia,” she shares behind-the-scenes stories, comedy, and music—all with her trademark humor. Whether reminiscing about her Hollywood adventures or embodying the feisty Mama, Lawrence proves that laughter is timeless. 

 
Kean

Kean Department Of Theatre Presents "the Drowsy Chaperone"

Friday, November 13, 2026 @ 7:30pm
Kean Stage - Bauer Boucher Theatre Center
1000 Morris Avenue, Union, NJ

Music and lyrics by Lisa Lambert and Greg Morrison

 


 


EVENT PREVIEWS

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Hunterdon Hills Playhouse presents Christmas at the Playhouse 2026

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(HAMPTON, NJ) -- Hunterdon Hills Playhouse presents Christmas at the Playhouse 2026 from November 10 to December 20, 2026. Celebrate the season with this spectacular holiday production filled with the music, memories, and traditions audiences have cherished through the years.
Ferrell Studios presents "Carrie, the Musical"

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(PLAINFIELD, NJ) -- Ferrell Studios presents Carrie, the Musical at the Plainfield Performing Arts Center from November 12-15, 2026. Based on the classic novel by Stephen King, the musical poses the question: What happens when someone is pushed too far?
Centenary Stage Company

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Fool Moon Theatre Company presents "Love, Loss, And What I Wore" at The Eagle Theatre on November 12th

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