The Hudson Shakespeare Company, now in their 25th season, begins their tour with their first ever history cycle with “Richard II”, Shakespeare’s story of a king (Ryan Molloy) who thinks himself God’s representative on earth and the clash with his blue collar like cousin, Henry Bolingbroke (Rhiannon Lattimer). First written in 1595, “Richard II” is the first in what is known as Shakespeare’s major or second history cycle which is followed by “Henry IV, Part 1”, “Henry IV, Part 2” and “Henry V”.
More cult leader than king, Richard rules his kingdom without any regard for his subjects except for those sycophants who he personally chooses for his inner circle. While Richard lords over his country with reckless abandon, the seeds of civil war are sown as the recently banished Henry Bolingbroke returns to England to claim an inheritance that was taken from him by Richard. Bolingbroke, who has no patience for empty speeches, self-serving pomp, and divisive policies quickly launches a series of military offenses and wins disaffected followers in the process. The political philosophies and personal views of the ceremonious endowed by God incumbent and the no-nonsense pragmatist clash and the future of a country hangs in the balance.
One of its most interesting historical claims to fame is that it was used as propaganda to fuel its own civil war that never happened. In 1601, a former favorite nobleman of Queen Elizabeth I, Earl of Essex had had enough of her policies and decided that she needed to be taken out. He and his friends organized a rebellion and needed to have London’s people on their side. The conspirators hired Shakespeare’s company to perform Richard II as Elizabeth had been compared to Richard’s less than stellar ruling qualities. The conspirators hoped that seeing the play would cause a riot to occur that would help that military takeover but it never materialized. Essex and his group were arrested but Shakespeare’s theater company was not found to be guilty in the plot.
The show is free to the public and performing at the following parks and libraries:
For outdoor showings its recommended to bring a lawn chair or blanket. Seating provided for indoor shows. For more information call 973 449 7443 or visit www.hudsonshakespeare.com.
Hudson Shakespeare Company is now in its 25th season of traveling Shakespeare and continues its history cycle in July but with a twist. The next play up is “Edward III” which tells the story of Richard’s grandfather and father, Ned, the Black Prince. Shakespeare wrote several scenes in the play that has been recently added to his Complete Works. The company finished out its silver season with a Henry IV parts 1 and 2, combining both plays into one 2- hour showing.
Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.
Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.
Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.
Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.
Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.
Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.
