For many music fans in the 90s, Victoria Williams was their introduction to Multiple Sclerosis (MS). The Louisiana born Williams was a rising star in the indie world, touring as the opening act for Neil Young when she first began having neurological problems. Faced with a sudden bout of medical bills and without health insurance, 14 artists including Pearl Jam, Soul Asylum, Lou Reed, and The Waterboys covered songs written by Williams on a tribute album entitled “Sweet Relief: A Benefit For Victoria Williams.” The album did so well that it led to the creation of the Sweet Relief Musicians Fund, an organization that aids musicians with their medical bills.
The Sweet Relief Musicians Fund went through a period of hard times but rebounded and now is regularly supported by hundreds of musicians, corporations, and music fans. The organization works with venues across the country and holds benefit concerts from time to time. One such concert is a “Strange 80s” benefit taking place on Sunday, May 14 at the Fonda Theater in Los Angeles, California. Hosted by Finn Wolfhard of the Netflix hit “Stranger Things,” the event will feature performances by Finn and a rotating case of rock stars and celebrities covering timeless songs from the 80s. All proceeds go to the Sweet Relief Musicians Fund.
Performers scheduled to play the benefit include Tenacious D, “Weird Al” Yankovic, and Sarah Silverman, plus Corey Taylor (Slipknot), Jane Wiedlin (Go Go’s), Adam & John (Taking Back Sunday), Scott Ian (Anthrax), Pearl Aday, Michael Starr (Steel Panther), Richard and Johnny (Filter), Dave Kushner (Velvet Revolver), Dan Konopka (OkGo), Deap Vally, John Feldmann (Goldfinger), Marko Desantis (Sugarcult), Stephen (Anberlin) and more.
When New Jersey Stage heard about the benefit, we thought it was a good time to see how Victoria Williams was doing these days. MS is a disease that affects a pair of writers of this magazine and we know that it affects everyone differently. Members of the magazine staff have been raising money and taking part in this year’s Walk MS in Lake Como, which takes place Sunday, April 30. If you would like to make a donation, click here.
How are you doing?
I am doing good.
The Sweet Relief album was sort of my introduction to MS. Do you feel that many know of your work because of MS?
Well definitely people who have the unfortunate diagnose of MS. A lot of people got in touch with me, asking what I was taking and stuff like that.
What was it that originally led you to be tested for MS?
I was out touring, opening for Neil Young and I was playing solo. It was like two week spurts and then you’d have two weeks off. I remember I was playing a gig one night and I had to leave the next day to go on the next spurt. It was hard for me to walk and I went to a chiropractor because I thought there was something wrong with my back. I thought I might have pulled something. He said I think you have MS. I thought he was crazy!
I went on to do the tour and as the tour went on my hands weren’t working and the tour manager said “You’ve got to go to a hospital and find out what’s wrong with you.” I went and they did a lot of tests and where they found the MS was in the MRI. They saw the scars in my brain and that’s when I was diagnosed with MS.
Do you remember what you felt when you heard the diagnose?
I think I thought it was muscular dystrophy in my head. I was mixed up. Luckily I’ve just gone on having faith. That’s the thing. I have faith that everything’s going to be alright. Like it was a good thing that I was able to start Sweet Relief. A lot of people have gotten help from it. For me, every day is one day at a time.
At the time, many MS drugs were just beginning to be introduced. Were you able to get on one?
I was trying to do all natural stuff, but my doctor said “you’re getting too many symptoms, you’ve got to start taking drugs.” So that’s when I started taking shots. I would be walking and see a big step and be like “woh! How can I get my feet to go up this big step?” Some stuff never came back. My feet are still kind of numb and my hands are still kind of numb.
Can you still play guitar and write songs?
Yes, I can. What I’ve been doing when I’m playing is I do a lot of improvising, which is how I started. I started out doing improvising but when I got a record deal they said, “You have to play the same songs every time because you’re promoting your record.” But now it’s been good because I do a lot of improvisation which I love doing. I feel it’s such a gift.
Do you still do live shows?
Yes, I do. I just played one recently, but it wasn’t my stuff. It was a benefit for autism at a theatre in Glendale with a lot of other people doing the Big Pink (The Band’s) record. They assigned the songs and I was assigned “Rocking Chair.” I also sang backup for a lot of people. There were a lot of people there I hadn’t seen in years. It was fun to do that.
Are you thinking about putting out new music sometime? You released a live album from the 90s for this year’s Record Store Day, but it’s been a while since your last album of new material.
I think I will put out a new album of songs, but I don’t know when. I live here on this ranch with so many things to do every day. There are plenty of animals here. It seems like every day is full. I hope to do a record this year, but I’ve said that for years and I haven’t done it yet. It doesn’t mean I can’t. God willing, I can.
Join us for McCarter at the Museum - renowned performing artists in one-night only events at the Princeton University Art Museum.
Jason Robert Brown is a four-time Tony Award-winning composer and lyricist of The Last Five Years, Parade, Songs for a New World, 13, The Bridges of Madison County, Honeymoon In Vegas and The Connector, has performed as a soloist or with his band in venues around the world, including sold-out shows at the London Palladium and Carnegie Hall. His albums as a singer-songwriter include Wearing Someone Else’s Clothes and How We React and How We Recover on Ghostlight, and Coming From Inside the House and Live In Concert with Stephen Sondheim on Concord.
With Special Guest Tony nominee Betsy Wolfe. Tony Award-nominated actress Betsy Wolfe is currently starring as Audrey in the acclaimed Off-Broadway production of Little Shop of Horrors, following her recent Broadway run as Madeline Ashton in the hit musical Death Becomes Her. She previously originated the title role in Joy, the new musical inspired by inventor Joy Mangano, and earned a 2023 Tony Award nomination for Best Featured Actress in a Musical for her celebrated performance as Anne Hathaway in & Juliet. Other Broadway credits include starring as Jenna in Waitress, Cordelia in the acclaimed revival of Falsettos, Bullets Over Broadway, The Mystery of Edwin Drood, Everyday Rapture, and 110 in the Shade, as well as her critically acclaimed performance as Cathy in the Off-Broadway revival of The Last Five Years. Wolfe made her Metropolitan Opera debut in Die Fledermaus and has appeared as a guest artist with more than 65 symphony, pops, and philharmonic orchestras worldwide, including the New York Philharmonic and BBC Symphony Orchestra, with performances at Carnegie Hall and the Kennedy Center. Her screen credits include First One In, Estella Scrooge, CBS’s Instinct, and the film adaptation of The Last Five Years. Wolfe is also the co-founder of BroadwayEvolved, the acclaimed musical theatre training program she launched in 2018 to train and mentor the next generation of theatre artists.
A limited number of early access tickets for McCarter Director’s Circle members and members of the Museum’s Partner Circle are available, on sale Wednesday, September 16, 2026 at 12:00 PM. General public on sale begins Friday, September 18, 2026 at 12:00 PM.
Please be aware there is no public drop-off or parking at the Museum. For visitors with mobility needs, please contact the Museum at least three business days in advance of your visit to request special access to the Museum via Elm Drive. Call 609-258-3788 and select option 1 to speak to a visitor services staff member, or email Louise Barrett at [email protected].
