We recently spoke with the family behind George Street Playhouse’s latest offering, “Bad Dates.” This one-woman show starring Broadway’s Andréa Burns was directed by her husband Peter Flynn, with cinematography by their son Hudson Flynn – a filmmaker and high school senior. The play, written by Theresa Rebeck, is a comedy about a single mom on the hunt for shoes, the perfect dress, and a romantic table for two at a great restaurant.
Burns, known for her performances in “In the Heights,” “On Your Feet!,” “The Nance,” “Songs for a New World,” and soon-to-be-seen Steven Spielberg's remake of “West Side Story,” stars as Haley Walker, sharing tales of dates gone wrong while looking for Mr. Right. Burns and her family created this production of “Bad Dates” with a small team in the New Jersey home of the play’s Executive Producer Sharon Karmazin.
Like all arts professionals, they had to adapt in order to create new work during the COVID-19 pandemic, and the result is a unique hybrid of theatre and filmmaking. “Bad Dates” starts streaming February 23, and will be available to watch through March 14.
Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.
Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.
Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.
Infusing a classical oratorio with blues, gospel, jazz and soul, this musical and visual journey investigates human experiences of time and memory alongside powerful physical forces that shape the universe. Our exploration emphasizes the significance of the ritual of gathering for live performance in an increasingly screen-focused world.
Featuring the students of the Lewis Center as the cast and crew, this production is the first non-professional performance of this important new work which premiered in 2022 in New York City to great critical acclaim.
Directed by visiting Iranian artist and director Nikoo Mamdoohi, with English to Latin translations by Greg Taubman, Princeton Class of 2006, the professional team includes music direction by Emma Sway, music supervision by Solon Snider Sway, set design by Afsoon Pajoufar, lighting design by Kelley Shih, sound design by Kay Richardson, costume design by Keating Debelak, choreography by Sariel Golomb, and stage management by Milan Eldridge, Princeton Class of 2020. Juniors Lota Alagbe and Peyton McLaughlin serves as dramaturgs.
