New Jersey Stage logo
New Jersey Stage Menu


?>

 

An Interview With Linda Ronstadt


By Ilana Rapp

originally published: 08/01/2018

Linda Ronstadt is a Grammy Award winning household name. She started singing at coffeehouses and small venues around the age of 14, and after a brief stint at college, she decided to move to Los Angeles.

Having been diagnosed with Parkinson's Disease in 2012 and no longer able to sing, Linda wrote a book in 2013 called Simple Dreams: A Musical Memoir and has been making the rounds discussing her career.

She'll be on her book tour in the California area for the rest of 2018, but on May 2, 2019, she will be in NEW JERSEY at the Mayo Performing Arts Center in Morristown.  Click here for info on the show.

I had the pleasure of interviewing Linda Ronstadt after her last book tour in New York.

 




Advertise with NJ Stage for $50-$100 per month, click here for info



Do you find singing as your passion or music or something else? 

Well, communicating. I love music but I think I sing to communicate. And I like music too.

 

When you were sick or tired, scheduling and you're travelling, did you ever get sick of music and communicating? 

I didn't get sick of music. I got sick of singing the same songs over and over again. We were always happy when we had something new in the show. It would make everything else feel new too.

 

Did it feel like you were forced into singing the same songs over and over again? 




Advertise with NJ Stage for $50-$100 per month, click here for info



It's hard to play in a different hall every night because the sound changes. The thing that's fun to do is get into a really good sounding room and play music in there regularly. That's where you can really refine stuff. So the grind of playing in a different hall everything night and playing in a different city every night, that was hard. But, we did it.

 

I read in your book that when you were playing the very big venues that you had to change the music around. 

The really subtle stuff wouldn't fly in there because there's too much ambient noise in all of those big halls. There's just a huge amount of .. there's a kind of roar. They're not acoustically developed for music. They're developed for stuffing a maximum about of bodies you can into a big spectacle. It was hard to fill those places up. They weren't very satisfying musically but they made a lot of money so automatically, as soon as they could run music acts in those venues, they'd do that. And I understand why, but it wasn't very satisfying.

Today's venues where they do all the lights and the dancing … how did YOU stay focused on music and have a humungous career without all of the pyrotechnic fire stuff going on. 

Well, they knew who I was. I was always interested in music first, so there was no question. I don't express myself in that way. I don't think there's anything wrong with it, it's just isn't who I am.

 

Did people say to you that you have to have all of this big to-do in the background? 

No, it wasn't the style then. The style was just to get up and present your music the best you could.

 




Advertise with NJ Stage for $50-$100 per month, click here for info



What about today with the big stage shows? If you were going to talk to the youth today, would they stay focused on music more or the whole show in general? 

I would say that art is very personal and everybody finds their own individual things they respond to. Don't be afraid to respond. Like a lot of mainstream stuff. I like some stuff because it is a spectacle. Michael Jackson was amazing on stage; he was brilliant.

 

You saw him? 

Michael Jackson, yeah. I saw him once.

 

For the music selection, how much involvement did you have with that and the arranging and the producing. 

I always chose the songs, everything, for better or for worse. I had a big hand in the arrangement. Always when I worked with Nelson Riddle, he wrote the arrangements. We would have head sessions beforehand and I was very specific about different areas that I wanted to be a certain way; this would be legato, the orchestra would come in here... otherwise I'd bow to his vastly superior ability. The rock n roll stuff I had a bigger hand in the arrangements. I also had a say in the production because I was there in the process all the way from cutting the tracks to mixing at the end; mastering.

That was during solo or in the very beginning when you were touring with the band? 

In the very beginning, nobody had any power over anything. We did what we were told, pretty much. When I was playing with the Stone Poneys, we would try to do our music but they had a big hand in saying they would bring in extra musicians. 

 

How did you feel when they asked you to go solo without the other two? 

I didn't have an act. I didn't have material. I didn't have the ability and the skill. I didn't know what I was doing. I felt bad to leave my bandmates behind, so I resisted that. But then when we got back from touring with The Doors, Kenny Edwards, our main guitar player, decided to go to India. He wanted to go learn something about philosophy. So he left and that broke up the band. So Bobby [Kimmel] went and got a job running a music club and that left me by myself. Kenny came back and when he did, he joined my band.

 

Do you have any thoughts on today's music vs. the music that you grew up with? Today's music is a lot of electronic dance music, overproduced music, people are using those tuners on their voice during their concert.  

There's only so much you can polish up something that's ugly. Most of the stuff that is successful is there because of the talents of the people that are doing it regardless of whether they're tuned or have electronic tracks or whatever they have.  You can't consistently make something good if you don't have talent. You know, it's garbage in, garbage out. It's a different sensibility. I don't care for that kind of music but it's more because of the generation that I am than it is musical.

 

If you were going to pop something into your CD player today, will it be more old music or something from today's music? 

I like Sia, she's pretty good. I like Alicia Keys. I don't listen to music at home very much, to tell the truth. I listen to live music if I can get out to a concert and that's mostly classical music. I listen to music when people come over to my house and play it in my living room. Otherwise, I poke around on YouTube and look for stuff. Again, it's a lot of opera.

 




Advertise with NJ Stage for $50-$100 per month, click here for info



When you chose songs that you wanted to sing, did the writer get paid? How does that work? 

You'd have to look up publishing law. I don't really know exactly how it works. When I record somebody's else song that goes on a record, the record company has to pay royalties to that writer.

 

In the beginning, you found songs yourself. Did you go up to somebody and say, "Hey, can I sing your song?" 

They'd be singing at a party at somebody's house after a show. Somebody would pull out a guitar and say, "I wrote this song last week." I would say, "That's pretty good. I'd like to record that." It happened more in a social manner.

 

Then the publisher would get involved and take over from there? 

I don't know.

 

With the current administration, what are your thoughts on health insurance for entertainment, social security and things like that? 

I think it's in dire peril.

 

Wasn't it in dire peril anyway? 

No, because they were moving more toward single payer health care plan. Medicare for all, is what I believe in. The government pays for it single payer. I think the Republicans are going to try to gut Medicare and social security. They're going to try to take it away.

 

I'm trying to figure out how my kids are going to survive in the music business. 

Well, you better run for office or start voting. One or the other. Get them to read the New York Times, that's a good start.

 

That's a great idea. They each have tablets and they do have the New York Times app on there. 

It's better to have the physical paper. They retain more if they see it on the physical paper. Get the subscription.

 

Every day or just Sunday? 

Every day! Things don't just happen on Sunday.

 

An Interview With Linda Ronstadt

With Parkinson's Disease, you said you knew there was something wrong because your voice was going. What happened when you got the diagnosis? Were you scared to death or not really? 

There wasn't anything I could do about it. I had to accept it.

 

Was is scary that you knew you weren't going to be able to sing in the future? 

I already couldn't sing.

 

What do you do now? Do you have extra time on your hands because you're not physically performing? Do you fill it with something? 

I'm happy to be retired.

 

Is that possible? You're on a book tour! 

[laughs]

 

Regarding people's sensitivity and emotions... with me, I really have no patience with people who are super emotional. I feel like I'm walking on egg shells with them. What about you? 

I don't know. It depends on the person.

 

Do you get fed up with people at all? 

I try to avoid those people I get fed up with.




And with that, Linda told me it was getting close to dinner time, so we wrapped up the interview!

To order Linda Ronstadt's book Simple Dreams: A Musical Memoir, click HERE.

 


Ilana Rapp is a media-savvy Generation Xer with instinctive wit, quick humor and a taste for deep human emotions. As a former (child) actress with Broadway, film and television credits, she is adept at, well, lots of things. She blogged on The Huffington Post and writes entertainment pieces for New Jersey Stage, Casting Networks, Casting Frontier, NYCastings and Mupo Entertainment. She is a huge fan of the television show V. Ask her why her favorite number is 22. Follow Ilana on Twitter @IlanaSpeaks22

FEATURED EVENTS

ART | COMEDY | DANCE | FILM | MUSIC | THEATRE | COMMUNITY

To narrow results by date range, categories,
or region of New Jersey
click here for our advanced search.


Kelli

Kelli Baker Band

Friday, May 09, 2025 @ 7:30pm
Lizzie Rose Music Room
217 E. Main Street, Tuckerton, NJ 08087
category: music


 

OCC

OCC Faculty and Guest String Quartet

Friday, May 09, 2025 @ 2:00pm
Ocean County College, Gateway Lecture Hall (Building 101)
1 College Drive, Toms River, NJ 08754
category: music


 

Knuffle

Knuffle Bunny: A Cautionary Musical

Saturday, May 10, 2025 @ 4:00pm
The Historic Palace Theatre
7 Ledgewood Avenue, Netcong, NJ 07857
category: music


 

Judy

Judy Collins and Madeleine Peyroux

Saturday, May 10, 2025 @ 8:00pm
State Theatre New Jersey
15 Livingston Avenue, New Brunswick, NJ 08901
category: music


 

Oldies

Oldies but Goodies Mother’s Day Concert Benefiting Families in Greater Union County

Sunday, May 11, 2025 @ 5:00pm
Union County Performing Arts Center (UCPAC) - Main Stage
1601 Irving Street, Rahway, NJ 07065
category: music


 


 

EVENT PREVIEWS

Newton

Newton Theatre presents An Evening with Joanne Shaw Taylor

(NEWTON, NJ) -- The Newton Theatre presents An Evening with Joanne Shaw Taylor on Thursday, August 14, 2025. Doors are at 7:00pm, showtime is 8:00pm.



Jackson

Jackson Pines and Heavy Mouth to Play Low Dive in Asbury Park on Friday

(ASBURY PARK, NJ) -- On Friday, May 9th, regional folk band Jackson Pines returns to Asbury Park as a full band for the first time since last summer. They'll be joining friends Heavy Mouth at Low Dive for a 9:00pm concert.



The

The Who Announce Shows in NJ, NY, PA for The Song is Over North America Farewell Tour

One of the greatest bands in rock history, The Who, have announced their bittersweet final tour of the US and Canada as a truly grand finale of their illustrious six-decade career. Fans will have several opportunities in the tri-state area to see the band one last time. Local shows include August 19th at Prudential Center in Newark, August 21st at Wells Fargo Center in Philadelphia, August 23rd at Jim Whelan Boardwalk Hall in Atlantic City, and August 30th at Madison Square Garden in New York City.



North

North Jersey Blues Society to Hold Artist Emergency Relief Fundraiser at The Stanhope House

(STANHOPE, NJ) -- The North Jersey Blues Society (NJBS) is excited to announce the Artist Emergency Relief Fundraiser. NJBS has established an Artist Emergency Relief Fund (AERF) to assist artists in need. This fund is specifically designed to support NJBS artists who find themselves in crisis situations. Currently, the fund's balance is $1,400, generated through the sale of an NJBS compilation CD. Their goal is to double this amount during a fundraiser on June 8, 2025 at The Stanhope House.



State

State Theatre New Jersey presents An Intimate Evening with David Foster & Katharine McPhee

(NEW BRUNSWICK, NJ) -- State Theatre New Jersey presents An Intimate Evening with David Foster & Katharine McPhee on Saturday, May 17, 2025 at 8:00pm. Sixteen-time Grammy® Award-winning musician, songwriter, and producer David Foster and acclaimed singer, television, and Broadway star Katharine McPhee are bringing their live show on the road.