Press reviews are pouring in for Springsteen on Broadway this week and, while the critics love the show, many fans are still upset at the ticket costs which started out at hundreds of dollars more expensive than his regular tour tickets. Die-hard fans who often attended multiple shows on each tour are struggling with the idea of being able to see just one performance or none at all. Rich Lynch, a writer/musician from New Jersey who now lives in Nashville, was so incensed by the comments he saw from Bruce fans that he actually wrote and recorded a "protest" song in their honor.
As a music fan, Lynch never imagined he would write a song about him that could be considered anything less than reverential, but then Bruce announced an 80-show run of dates on Broadway in New York City. As he noticed the amount of negative feedback on Springsteen-related websites and forums, he realized that he was not alone in feeling disappointed in the high ticket prices.
To be fair, Bruce Springsteen routinely sells out stadiums around the world. He has rarely performed in a venue as small as the Walter Kerr Theatre (under 950 capacity). In a way, this performance was always going to be special simply because of the intimate venue, but as details emerged about the show it became clear it wasn't simply another concert -- it was a night of stories, personal reflections, and music. In other words, Springsteen had created a true Broadway show. With that in mind, some believe the ticket prices should be judged against other hot tickets on Broadway (some which run into hundreds of dollars as well) instead of a regular concert.
"The idea for the song definitely came from seeing the widespread backlash and from talking to longtime fans," explained Lynch who said the highest ticket prices he's ever paid was $500 for a Broadway play. "At this point, if this was a political race, you'd find me on the side of the disillusioned party. I've definitely seen Bruce in concert over thirty times since the 80s and I've shook his hand on at least three occasions. I surely didn't wake up one morning and decide to deconstruct one of my lifelong heroes. But, when I found that ridiculous anagram I knew exactly what needed to be done."
The track is available to purchase at Bandcamp.com. The anagram came from the title of the show itself. That discovery, along with the comments he read online, brought a burst of inspiration.
"Something was bothering me about the name of the production," Lynch recalled. "I'm a creative person and often I'll employ unusual methods to help inspire my songwriting."
Lynch said he printed out an image of the marquee that read "Springsteen On Broadway" and using a scissors and some tape he cut out each individual letter and started rearranging them until he found a perfect anagram containing the unlikely but strangely fitting phrase: "Ow, A Bad Singer's Pony Rent".
"Once I stopped laughing I realized there might be something here," Lynch continued. "I quickly crafted three verses dealing with the universal subjects of greed, lost integrity and the dangers of blind faith and then the chorus basically wrote itself. The demo was done within 48 hours."
Despite admitting that odds were long that he would have actually traveled from Nashville to New York City to see the show, Lynch crafted a good song. He followed the concept of the Traveling Wilburys' cult classic, "Tweeter and the Monkey Man," and included several references to Springsteen in the lyrics to help illustrate the disillusionment expressed by many long-time fans.
"The sheep lined up on Broadway / Because the boss let out the decree
The change was made when they found out / What was lying underneath the marquee
Now he’s a fallen star they say / no longer heaven sent
The streets of New York City are paved with gold and tarred with disillusionment"
Lynch enlisted the help of Jay Pounders (former frontman of the band Crossfire Choir) to produce the track with Nashville guitarist Nick Johnson lending a strong classic rock vibe. The end result is a track that has been garnering good initial reviews.
Does Lynch worry about backlash from the song?
"For me, I'm a songwriter and an observer of life as it goes on around me," Lynch explained. "This song isn't necessarily from my point of view but it does tell the side of disillusioned fans. "I found support for this song in a Philly.com opinion piece called ‘Profiteering On Broadway’ that was published in September when the show was announced. In the article the author described how the people most likely sitting in the front row would be the Banker’s Hill types that Bruce had once railed against on his late career Wrecking Ball album."
Lynch says he last saw Springsteen perform live on November 22, 2009 in Buffalo, NY - the last time Clarence Clemons performed with the band. He seems content with that memory as the final chapter for him. The prices for the Broadway shows have priced him and many others out of the run. If you are among them, you might feel like putting on Lynch's song and joining the protest.
For more on Lynch's music visit www.richlynchband.com
Join us for McCarter at the Museum - renowned performing artists in one-night only events at the Princeton University Art Museum.
Jason Robert Brown is a four-time Tony Award-winning composer and lyricist of The Last Five Years, Parade, Songs for a New World, 13, The Bridges of Madison County, Honeymoon In Vegas and The Connector, has performed as a soloist or with his band in venues around the world, including sold-out shows at the London Palladium and Carnegie Hall. His albums as a singer-songwriter include Wearing Someone Else’s Clothes and How We React and How We Recover on Ghostlight, and Coming From Inside the House and Live In Concert with Stephen Sondheim on Concord.
With Special Guest Tony nominee Betsy Wolfe. Tony Award-nominated actress Betsy Wolfe is currently starring as Audrey in the acclaimed Off-Broadway production of Little Shop of Horrors, following her recent Broadway run as Madeline Ashton in the hit musical Death Becomes Her. She previously originated the title role in Joy, the new musical inspired by inventor Joy Mangano, and earned a 2023 Tony Award nomination for Best Featured Actress in a Musical for her celebrated performance as Anne Hathaway in & Juliet. Other Broadway credits include starring as Jenna in Waitress, Cordelia in the acclaimed revival of Falsettos, Bullets Over Broadway, The Mystery of Edwin Drood, Everyday Rapture, and 110 in the Shade, as well as her critically acclaimed performance as Cathy in the Off-Broadway revival of The Last Five Years. Wolfe made her Metropolitan Opera debut in Die Fledermaus and has appeared as a guest artist with more than 65 symphony, pops, and philharmonic orchestras worldwide, including the New York Philharmonic and BBC Symphony Orchestra, with performances at Carnegie Hall and the Kennedy Center. Her screen credits include First One In, Estella Scrooge, CBS’s Instinct, and the film adaptation of The Last Five Years. Wolfe is also the co-founder of BroadwayEvolved, the acclaimed musical theatre training program she launched in 2018 to train and mentor the next generation of theatre artists.
A limited number of early access tickets for McCarter Director’s Circle members and members of the Museum’s Partner Circle are available, on sale Wednesday, September 16, 2026 at 12:00 PM. General public on sale begins Friday, September 18, 2026 at 12:00 PM.
Please be aware there is no public drop-off or parking at the Museum. For visitors with mobility needs, please contact the Museum at least three business days in advance of your visit to request special access to the Museum via Elm Drive. Call 609-258-3788 and select option 1 to speak to a visitor services staff member, or email Louise Barrett at [email protected].
