Lennon turned 70 last October and this show was a belated birthday celebration of the man and his wonderful career. A packed house filled the State Theatre in New Brunswick, NJ for the event. Regular cast members Bob Burger, John Merjave, and Dusty Micale once again joined Glen on stage. Special guests for the night included Pat DiNizio of the Smithereens, Earl Slick (who recorded with Lennon on Double Fantasy), Mike Stein, James Egan, Joe Nocco, Kim Pulsive, Dave Anthony, Taylor Hope, and Glen's daughter Sally.
In addition, Glen once again brought many of his favorite artists from the Asbury Park music scene to New Brunswick. The list of Jersey Shore artists included Christine Martucci, Lisa Bouchelle, Anjelia, Rick Barry, Emily Grove, Rosemary Conte, Jerzy Jung, and Jo Wymer.
The show opened with nearly 20 voices singing "Because" in unison, an effect which added layers to the song, making it sort of haunting in a good way. It was a beautiful way to kick off the tribute.
"Wait a minute... where are my lyrics?" asked Burtnik after the song. He began playing "In My Life" while he waited for a stage hand to locate the lyric sheet.
Lyric sheets would be incredibly important during the night as Glen and friends would tackle nearly 40 songs throughout the show. Veterans of Glen's Beatle tributes were treated to a dozen songs from John Lennon's solo career, many of which had never been performed at the shows before. In addition, the show featured two songs written about Lennon and plenty of numbers from throughout the Beatles catalog.
Pictures of Lennon throughout his career and videos of John with and without the Beatles were shown above the artists. At times I found myself mesmerized by the images. I realized I could actually watch a slideshow of John for two hours and be happy. I'm sure I wasn't the only one in the theatre to think that.
Highlights of the first set included "Grow Old With Me", one of the last songs written by Lennon. It was originally intended for the Double Fantasy album, but postponed and would appear in an early version on the Milk and Honey follow-up. A lineup of female singers of various ages took turns at lead vocals, giving the song a visual interpretation that was very nice.
Bob Burger once again was a hit with the State Theatre crowd every time he had the opportunity to take lead vocals. My favorites from the night included his brilliant take on "Julia", "Dear Prudence", and the crowd-favorite -- an energetic version of "I Am The Walrus" that closed out the first set to a standing ovation and a roar of approval.
Highlights from Glen included wonderful versions of "Starting Over" and "Jealous Guy" along with "This Boy", a song that Burtnik included in his sets early in his career. Joined by John Merjave and Bob Burger, "This Boy" reminded me back of the day Glen's band performed the song live on the old radio station Y-107 in Long Branch. The three musicians work so well together on these shows it made me wonder how they would sound if they attempted an original band together. Since Burtnik and Burger are regular songwriting partners, it might be worth a shot.
Speaking of John Merjave, the musician who is well known in the Beatles' community for his work with the band Liverpool, was simply incredible on lead vocals with "Nobody Told Me", "Whatever Gets You Thru The Night", and "Watching The Wheels" -- three of my favorites by Lennon.
Other highlights of the first set included a string of guest vocalists; Jo Wymer belted out a great, bluesy version of "Come Together"; Christine Martucci practically owned the stage during a powerful take on "Yer Blues"; Kim Pulsive provided a stellar version of "Working Class Hero" and reminded me of a real-life ‘Leather Tuscadero' on guitar; and Pat DiNizio, who took lead for three songs ("I'll Be Back", "I'm A Loser" and "Nowhere Man") with "Nowhere Man" being the best of the three by far.
After a short intermission, Glen and friends returned for a second act that was highlighted by a pair of songs written about Lennon. The first was "Killing The Thing That You Love" which was written by Burtnik and Burger and released by Styx on their Cyclorama album.
"The genius of a generation
Blown away just like a leaf on the wind
And now you're looking for salvation
But you can't forget the places you've been
And you can't erase a lifetime of sin
And you can't escape the answers as you
Look in the mirror
At what you've become
Dredging the river for what you have done
Killing the thing that you love
Like Lennon's assassin
Lennon's assassin"
While the song was played, the images in the slideshow above the artists moved in rapid-fire speed, giving the illusion that John's life was literally passing in front of our eyes. Sadly, the effect also reminded me of rounds of bullets being fired from a gun. I'm not sure if that was intended or not, but as beautiful as the slideshow was during this song, it was just as eerily sad and showed how quickly his life was taken and how much more he surely had to give.
The second was an amazing new song by Dan Reed called "Dear John". It featured lines like, "Dear John, have you heard? We're still singing in your name" that pretty much encompassed everything about the night. Dan's song led right into a great cover of "You've Got To Hide Your Love Away". Dan's appearance was one of the overall highlights of the night.
Other highlights included "The Ballad of John & Yoko" done by Rick Barry (although personally I would have loved to see him attempt something like "I Don't Wanna Be A Soldier" or "Crippled Inside"); Anjelia gave a moving version of "Love" dedicated to her father who passed away earlier in February; "Imagine" -- perhaps the best song sung by Burtnik in the night; a fun romp with "Everybody's Got Something To Hide Except Me And My Monkey"; and the trio of "Strawberry Fields Forever" bleeding into "Revolution" before the set closed with "A Day In The Life".
Glen and the band were brought back for two encores -- "Ticket To Ride" and the very appropriate "A Hard Day's Night". Although a few song titles, most notably "Mind Games", were shouted out throughout the night, nobody in the audience could complain about the setlist. While I would have loved to see the artists dig a bit deeper into Lennon's solo work, Glen and the band gave everyone their money's worth and then some.
Burtnik returns to the songs of the sixties on Saturday, March 12 when he presents "The Summer of Love Concert: A Celebration of the Music of the Woodstock Nation" at the Count Basie Theater in Red Bank. And on July 23, Burtnik will return to the State Theatre with "Jersey Beatles Bash V" -- a note-for-note take on the classic "Revolver" album.
Join us for McCarter at the Museum - renowned performing artists in one-night only events at the Princeton University Art Museum.
Jason Robert Brown is a four-time Tony Award-winning composer and lyricist of The Last Five Years, Parade, Songs for a New World, 13, The Bridges of Madison County, Honeymoon In Vegas and The Connector, has performed as a soloist or with his band in venues around the world, including sold-out shows at the London Palladium and Carnegie Hall. His albums as a singer-songwriter include Wearing Someone Else’s Clothes and How We React and How We Recover on Ghostlight, and Coming From Inside the House and Live In Concert with Stephen Sondheim on Concord.
With Special Guest Tony nominee Betsy Wolfe. Tony Award-nominated actress Betsy Wolfe is currently starring as Audrey in the acclaimed Off-Broadway production of Little Shop of Horrors, following her recent Broadway run as Madeline Ashton in the hit musical Death Becomes Her. She previously originated the title role in Joy, the new musical inspired by inventor Joy Mangano, and earned a 2023 Tony Award nomination for Best Featured Actress in a Musical for her celebrated performance as Anne Hathaway in & Juliet. Other Broadway credits include starring as Jenna in Waitress, Cordelia in the acclaimed revival of Falsettos, Bullets Over Broadway, The Mystery of Edwin Drood, Everyday Rapture, and 110 in the Shade, as well as her critically acclaimed performance as Cathy in the Off-Broadway revival of The Last Five Years. Wolfe made her Metropolitan Opera debut in Die Fledermaus and has appeared as a guest artist with more than 65 symphony, pops, and philharmonic orchestras worldwide, including the New York Philharmonic and BBC Symphony Orchestra, with performances at Carnegie Hall and the Kennedy Center. Her screen credits include First One In, Estella Scrooge, CBS’s Instinct, and the film adaptation of The Last Five Years. Wolfe is also the co-founder of BroadwayEvolved, the acclaimed musical theatre training program she launched in 2018 to train and mentor the next generation of theatre artists.
A limited number of early access tickets for McCarter Director’s Circle members and members of the Museum’s Partner Circle are available, on sale Wednesday, September 16, 2026 at 12:00 PM. General public on sale begins Friday, September 18, 2026 at 12:00 PM.
Please be aware there is no public drop-off or parking at the Museum. For visitors with mobility needs, please contact the Museum at least three business days in advance of your visit to request special access to the Museum via Elm Drive. Call 609-258-3788 and select option 1 to speak to a visitor services staff member, or email Louise Barrett at [email protected].
