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Massimo Alì Mohammad lovely feature film Amore tra le rovine (Love Among the Ruins) Premieres at the New jersey Film Festival on Saturday, February 27!

By Al Nigrin

originally published: 02/23/2016

Massimo Alì Mohammad lovely feature film Amore tra le rovine (Love Among the Ruins) Premieres at the New jersey Film Festival on Saturday, February 27!

Massimo Alì Mohammad lovely feature film Amore tra le rovine (Love Among the Ruins) Premieres at the New jersey Film Festival on Saturday, February 27!

Here is an interview I did with Amore tra le rovine (Love Among the Ruins) Director Massimo Alì Mohammad:

NIgrin:  Your mock documentary feature Amore tra le rovine (Love Among the Ruins) is about the miraculous discovery and restoration of a long-lost Italian silent film. What motivated you to make this unusual film.

Mohammad: The producers and I share a common love for early cinema. We met at Giornate del Cinema Muto, a wonderful festival of silent cinema in Pordenone (Italy), probably, in its genre, the most important in the world. My idea was to shoot a silent film, faithful to the Italian tradition of the 1910s and 1920s.  The producers were interested in contextualizing it to modern times, creating plausible research about film discovery and restoration. In few words, we wanted to pay homage to silent cinema and the researchers who dedicate their lives to it.

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NIgrin:  Your film reminds me of the early films by Guy Maddin  (ie. Archangel, Careful) in that you masterfully recreate a film from the silent era. Were his films an influence on yours? Where there other films that influenced you? 

Mohammad: Guy Maddin films are wonderful, but my aim was to make a pure silent film, without modern experimentation, and it was difficult! We of course knew Peter Jackson’s Forgotten Silver, but for my silent film the influences were classical Italian silents by Mario Caserini and diva films. Anyway, in the evil guy sequences, I got inspiration from expressionism; and the dirigible flight is a dedication to Méliès. The sequences with the servant are, instead, inspired from slapstick comedy, especially Buster Keaton.

NIgrin:  Where did you shoot this film? 

Mohammad: The silent film was shot completely in Ferrara that is a wonderful town near Bologna, full of intact Renaissance architecture. Actually it wasn’t so difficult to find nice locations for our film, without using computer compositing (which was used for one sequence only). We were hosted in private houses and offices, like the evil guy’s study. Some sequences, like the kitchen and carriage sequence, were shot in a museum near Ferrara, in which some old locations from the early 20th century are reproduced.  The doc, instead, includes sequences shot in Bologna, Gemona (in the Friuli region), Milan, Paris and Seattle.

NIgrin:  Tell us more about the terrific lead actors in your film.

Mohammad: They were great. Their challenge was double:  to be an actor of that period while acting as if it were almost the first experience on a set. It was like telling them to forget all the rules that apply in modern acting. This wasn’t easy -- like pretending to be awful actors -- it was harder.  They had to reproduce the disorientation of theatrical actors on the cinematographic set for the first time, without exaggerating and turning the film into a parody. And I think they were very discreet in doing that.

For the actress I had the fortune to find Mary, who was great in the role of the diva.  I was looking for an actress similar to Lyda Borelli, a diva from the 1910s who actually lived in Ferrara and made great films.  Mary’s face was perfect. Also Stefano, like Mary, comes from the National Film School of Rome and it was challenging for him to change his register. Edoardo, Massimo and Filippo (the father, the evil guy and the servant) are mainly theatrical actors and probably had fewer difficulties to emphasize their gestures, but they were great anyway to respect the balance we mentioned before.  All the actors had to learn the lines by heart (they actually say what it is written in the intertitles).  We briefly show that during the ending credits, just to pay homage to their hard work! 

I would also like to mention the experts in the mock, too.  Their attitude was great, some of them are really important and respected film historians, but they played along beautifully, telling our story without losing their professional attitude. They were very spontaneous and we actually shot very few takes.

NIgrin:  How long did it take you to make Amore tra le rovine (Love Among the Ruins) and were there any memorable stories while you made this film or any other info about your film you can rely to our readers?

Mohammad: The documentary covered a period of sixth months, but actually we didn’t shoot everyday. The silent film was a full immersion of 10 days, a wonderful and intense experience, during which the producers constantly supervised us, making the shooting even greater than it was already.  They helped make the cast and crew more comfortable and handled public relations at the various locations. Some funny episodes were during the research for locations. When looking for the evil guy’s mansion, we actually knocked on about every door in town. Once, a very nice lady, who actually let us into her house for the shooting, asked me at the entry phone “Ok, I’ll let you see the house, but are you sure you are not a thief?”

We also had great fun shooting the dirigible sequence. Elisa Leonini, the art director, constructed it with simple materials, but in black and white the effect was great! It was very funny when the troupe had to coordinate every move for the accident scene.  We actually made a lot of takes!

Here is a link to the trailer for Love Among The Ruins:


The feature film Love Among the Ruins will be screened after City of Dreams. Here is more info on this screening:

Citta' dei Sogni (City of Dreams) - Paola Bernardini (New York, New York)
Giovanni and Ernesto are siblings who must escape from their own mother.   As they embark on an adventure across the Italian countryside, and the reality of their situation begins to take hold, the myth of their "City of Dreams" begins to crumble. In Italian, subtitled. 2015; 18 min. 

Amore tra le rovine (Love Among the Ruins) - Massimo Alì Mohammad  (Ferrara, Italy)

A mock-documentary  about the miraculous discovery and restoration of a long-lost Italian silent film. More than a parody, the film celebrates the joy of discovering lost art, a rich tradition of filmmaking in Italy, and how a young filmmaker can recreate the artistry of silent film. A meta-commentary on cinema preservation and wartime storytelling, this film is a treat!  In Italian, subtitled. 2015; 68 min. Co-sponsored by the Rutgers University Italian Department!

Saturday, February 27, 2016 at 7:00 p.m.

Voorhees Hall #105/Rutgers University

71 Hamilton Street, New Brunswick, New Jersey

$12=General; $10=Students+Seniors; $9=Rutgers Film Co-op Friends

Information: (848) 932-8482;

Free Food courtesy of Jimmy Johns of New Brunswick will be given out prior to this screening of the New Jersey Film Festival!


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(LONG BRANCH, NJ) -- From the 1970s to today the Brighton Bar has been a live music venue and a staple of the New Jersey music scene.  On Wednesday, November 28th at 7:00pm, a free showing of The Brighton Bar - Home Of Original Music  - a documentary about the venue will be screened at The NJ Rep West End Arts Center.
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2018 International Film Festival Brings 4 Award Winning Foreign Films To Vineland
(VINELAND, NJ) -- Enjoy four highly-acclaimed award-winning recent foreign films representing diverse cultures at the 2018 International Film Festival, starting Monday, November 26, at the Levoy Theatre, 126-130 N. High St., Millville, NJ. The four films—A Fantastic Woman, The Interpreter, 1945, and Sammy Davis, Jr.: I’ve Gotta Be Me—will introduce the theatergoer to the universality of themes that are common to Jewish and other international themes. They are representative of the finest of today’s international cinematographic art.
NJSO presents Star Wars: A New Hope in concert on Thanksgiving weekend
(NEWARK, NJ) --The New Jersey Symphony Orchestra presents screenings of the complete film Star Wars: A New Hope with Oscar-winning composer John Williams’ musical scores performed live on Thanksgiving weekend, November 23–25. Performances take place in Red Bank, Newark, and New Brunswick.

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The image that most defines the 20th century is that of a man standing on the surface of the moon. The man is astronaut Neil Armstrong, but we can’t see his face as he’s wearing a helmet, the glass of which reflects our collective achievement back at us. When he took a small step, we all took a giant leap with him, and Armstrong instantly became more than a mere man, a symbol. With First Man, director Damien Chazelle takes us inside the famous helmet, stripping away the symbol to tell the story of Armstrong the man.
REVIEW: "Halloween"
In 2013, John Carpenter’s Halloween received a 35th anniversary blu-ray release. The accompanying booklet credited the following line of dialogue to Jamie Lee Curtis’s babysitting heroine Laurie Strode: “Was it the boogeyman?” Of course, that’s a misquote. In the scene in question, Laurie admits to herself that “It WAS the boogeyman,” to which Donald Pleasence’s Doctor Loomis solemnly replies, “As a matter of fact, it was.”
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Event calendar
Sunday, Nov 18, 2018


Allen Stone @ House of Independents, Asbury Park - 8:00pm

IN MEMORY OF BOB COLYARD @ The Saint, Asbury Park - 11:00am

Gypsy Jazz Brunch with Pyrenesia and Max Hansen Buffet @ Hopewell Theater, Hopewell - 11:00am

Dorthaan's Place: Eric Alexander Quartet @ NICO KITCHEN + BAR @ New Jersey Performing Arts Center (NJPAC), Newark - 11:00am and 1:00pm

Sarah Vaughan International Jazz Vocal Competition: SASSY Awards @ Victoria Theater @ New Jersey Performing Arts Center (NJPAC), Newark - 3:00pm

Rachel Barton Pine plays Paganini @ Richardson Auditorium in Alexander Hall, Princeton - 4:00pm

Max Weinberg’s Jukebox @ Jay & Linda Grunin Center For The Arts At Ocean County College, Toms River - 7:00pm

Bolshoi Ballet: La Sylphide @ Pollak Theatre @ Monmouth University, West Long Branch - 3:00pm


Annie @ Broad Street United Methodist Church, Burlington - 2:00pm

An Actor's Carol @ Cape May Stage, Cape May - 3:00pm

Annie @ Axelrod Performing Arts Center, Deal Park - 3:00pm

Apples In Winter @ Centenary Stage Company - Kutz Theater of the Lackland Center, Hackettstown - 2:00pm

Joseph and the Amazing Technicolor Dreamcoat @ The Levoy Theatre, Millville - 3:00pm

Billy Bishop Goes to War @ Bickford Theatre at the Morris Museum, Morristown - 2:00pm

ELF THE MUSICAL @ Mayo Performing Arts Center (MPAC), Morristown - 7:00pm

Pinocchio @ The Newton Theatre, Newton - 3:00pm

Kiss Me Kate @ Broadway Theatre of Pitman, Pitman - 2:00pm

Phoenix Productions Presents: The Hunchback of Notre Dame @ Count Basie Center For The Arts, Red Bank - 3:00pm

Heathers, The Musical High School Edition @ Pebble Players, Oakes Center, Summit - 2:00pm

Junie B. Jones The Musical at Black Box PAC @ Black Box PAC, Teaneck - 11:00am

The Drowsy Chaperone @ Lauren K. Woods Theatre at Monmouth University, West Long Branch - 3:00pm


JCTC Dance: Up Close & Personal @ White Eagle Hall, Jersey City - 4:00pm

NJDTE "The Nutcracker" Storytime & Performance @ New Jersey Dance Theatre Ensemble, Summit - 4:00pm


THE VERY HUNGRY CATERPILLAR @ Bergen Performing Arts Center (bergenPAC), Englewood - 1:00pm

ROALD DAHL’S WILLY WONKA JR. @ Ridgewood Ave School Theater, Glen Ridge - 1:00pm


Mainebiz Health Care Forum @ 10th Ave. Burrito, Red Bank - 10:30am

View all events


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