New Jersey Stage
New Jersey Stage on social media


This article is from our magazine. To view it in its original format, click here

When Oscar Wilde Visited Walt Whitman In Camden

By Henrik Eger, Ph.D.

originally published: 03/05/2017

When Oscar Wilde Visited Walt Whitman In Camden

A different side of legendary Irish writer Oscar Wilde was recently on display at Walnut Street Theatre in a new play by Michael Whistler entitled Mickle Street.  The play revolves around a little known piece of literary history — the period in which the 27-year-old writer traveled to Camden, New Jersey to seek the advice of Walt Whitman.

In Mickle Street, we see Wilde’s wit evolve, but many of his words taste like young wine — a fledging writer struggling with his identity, convinced that he has already made it because of the many Americans who are attending his lectures, from New York and Philadelphia, all the way to Colorado — even though the press writes less than flattering reviews.

Being associated with famous people was as much en vogue in the late 1800s as it is today. David M. Friedman, author of Wilde in America: Oscar Wilde and the Invention of Modern Celebrity, provides evidence that “Wilde didn’t travel to Camden to learn how to be a famous writer. […] He went to learn how to be a famous person.”

Whistler features the encounter of the rising, if fairly inexperienced, Wilde with the seasoned and much discussed Whitman, then 62, at his house on Mickle Street in Camden, NJ, on January 31, 1882.

Right from the beginning, the play shows Wilde reflected through the eyes of Gilbert and Sullivan, the famous Victorian writers of comic operas that satirized the aesthetic movement of the 1870s and ‘80s and all that went with it: fads, vanity, and pretentiousness.



The article continues after this ad

 


Mary, an Irish-Catholic widow, looks after Whitman.  When the tall and handsome Wilde arrives at Whitman’s humble and overcrowded home, he is all done up with his famous fur coat and pantaloons, looking like a Victorian male Madonna at a gala.  However, Mary doesn’t believe in externals.  “The crowd seemed more impressed with his appearance than his speech,” she says.

Whistler’s Mary has a fine eye for different layers of reality: “You know the paper says he lives ‘on beauty alone.’ All he asks for lunch is a glass of water for the posy he carries about.” Even when Whitman tries to explain to her the “L’art pour I’art” or “art for art’s sake” concept and Wilde’s Pre-Raphaelite Brotherhood aestheticism, she doesn’t buy it.  “Suppose I were to make a pie for you, Mr. Whitman, and instead of cutting you a slice told you that ‘Oh no — this pie is not for the eating.  It is ‘complete in itself.’ I made it for the purpose of being a beautiful, aesthetic pie.’”

Mickle Street doesn’t fall into the trap of lionizing Wilde or Whitman. Mary makes it quite clear that “for all your fine words and flowers I know you for what you are, Mr. Walt Whitman: a trouble to man and woman both.” Whitman, unafraid of her, also has a few choice terms of endearment for her, “Mary, don’t be a stubborn old goat,” or “She’s a skittish trout when she’s of a mind.”  While she may not always understand the man whom she observes from her prim and proper perspective, she nevertheless serves as a balancing force throughout the play.

Audiences in Britain and the US at the time laughed at Wilde, the talented but attention-craving poet — the way Americans today make fun of the not so witty Paris Hilton and the Kardashians.  Unfazed, Wilde loves playing the role of the enfant terrible — dressed to the hilt, posy in his lapel.  In Whistler’s adaptation, Wilde even encourages the attention: “I want to shock.”

Whistler imagines a conversation between two writers: Whitman, with all his foibles, clearly has the upper hand, while Wilde’s verbal dancing doesn’t get him anywhere, except the awareness that, perhaps, there is more to life than theatrics and striking up “battles in this revolution for the Science of Beauty.”

Wilde, the dandy, throws out more than aesthetic pronouncements. There are moments when he touches on the untouchable: “We do not wear our sins as we wear our cloaks. Those we keep in a closet.”

Whistler’s Mickle Street presents some intense moments between those two men who were considered to be fluid in their sexuality, and were punished for their writing and their lifestyle—Whitman, by being denied a paid position at a hospital during the Civil War, and Wilde being sent to jail.

Friedman implies that both Whitman and Wilde were publicity hounds—with Whitman even writing enthusiastic, albeit anonymous, reviews about his controversial masterpiece, Leaves of Grass. These two writers were quite a match in their desire to reach as wide an audience as possible. “Cultivating newspaper coverage and meetings with American literary giants, the tour made Wilde the second best-known Brit in the country after Queen Victoria, despite having published almost nothing,” as Kevin C. Shelly points out.

Whitman, overwhelmed by Wilde’s many statements, mixed in with his compliments, blurts out, “You have thrown more ideas at me in an hour than fifteen other men I might know. You are smart, and you see something. But you have to stop staring all mooney eyed at ancient ruins. You no more live in an ancient temple than I do. You want to live in the world—live in the world.”

Whistler’s new play, based on historical facts and imagined conversations between two famous writers (the Walnut Street production was directed by Greg Wood and starred Daniel Fredrick as Oscar Wilde and Buck Schirner as Walt Whitman), opens new doors, shows an insecure young Wilde who seems to hide behind “aesthetics and art” while Whitman teaches Wilde more than he might have bargained for, advising him, “Go see America. Go see the world. Find out what creature you are. And for all the frippery—be honest. With us, and with yourself.”

Mickle Street ended its run at Philadelphia’s Walnut Street Theatre on March 8.  With any luck this tale, which involves one of New Jersey’s most famous artists, will see a production in the Garden State in the future.

** Note, this article contains material first published in phindie.com and the Philadelphia Gay News.  Henrik Eger, Editor at DramaAroundTheGlobe.com, interviews the playwright, Michael Whistler, in our April issue. **

 






Pegasus Theatre Company presents "Human Error"
(WEST WINDSOR, NJ) -- Pegasus Theatre Company presents Human Error from September 21-30 at the West Windsor Arts Center. The play by Eric Pfeffinger asks: What does it take for people on opposite sides of the political spectrum to see past their differences and even become friends? According to Human Error, it takes a blundering fertility doctor and a case of mistaken identity, which force two couples to face an absurd situation together. 
East Lynne Theater's "Arsenic and Old Lace" Is Breaking Records
(CAPE MAY, NJ) -- The award-winning East Lynne Theater Company has seen many successes since its founding in 1980, but none like "Arsenic and Old Lace."  Although first produced on Broadway in 1941 by Howard Lindsay and Russel Crouse, Joseph Kesselring’s comedy is still the most produced play in this country today. Yes - It' just that good!
Old Library Theatre Presents "Bat Boy"
(FAIR LAWN, NJ) -- Old Library Theatre, Fair Lawn Recreation Department's resident theater company and NJACT's 2017 Community Theater of the Year, presents "Bat Boy" from September 14-16.  When a half boy/half bat creature is discovered in a cave near Hope Falls, West Virginia, the local sheriff brings himto the home of the town veterinarian. Though he’s eventually accepted as a member of the family, when he naively tries to fit in with the narrow-minded townspeople, they turn on him.
Premiere Stages To Present Brick City
(UNION, NJ) -- Premiere Stages at Kean University will present Nicole Pandolfo’s Brick City from September 6-23 in Kean University’s Bauer Boucher Theatre Center in Union, NJ.  In the play, worlds collide in Ms. Pandolfo’s topical and compelling new play when Jessie, a combative high school senior with a disability, and Darnell, the star player of the high school basketball team, find themselves together in extended study hall during the most important marking period of their lives.  As Darnell inches dangerously close to throwing away a lucrative college scholarship and Jessie a potential career as an artist, both discover things aren't always as simple as they may seem.
Candace O’Donnell To Perform "Sarah Bernhardt-La Divine" To Benefit Cape May Stage
(CAPE MAY, NJ) -- Candace O’Donnell will be performing her latest work “Sarah Bernhardt-La Divine” as a benefit for Cape May Stage on August 27th at 8:00pm. In the play, written & performed by O’Donnell, Sarah Bernhardt survived the siege of Paris, an amputation, vicious anti-Semitism, and many tempestuous love affairs to become the toast of Europe and indeed the world.


REVIEW: "Fern Hill" at NJ Rep
(LONG BRANCH, NJ) — The latest World Premiere at New Jersey Repertory Company is Fern Hill by Michael Tucker.  Wonderfully directed by Nadia Tass, the play features an all-star cast and a story about three couples in the latter half of their lives who come up with a rather intriguing way to avoid a retirement home.
Deconstructing The Myths Of Bruce Springsteen
When Bruce Springsteen was about to release his debut album, the record company wanted him to say he was from New York City, but he refused.  It’s somewhat ironic that over 40 years later, he has turned a legendary Broadway theatre into his home five nights a week with Springsteen on Broadway - a show that has performed in front of over 150,000 people and grossed more than $75 million since making its debut on October 12, 2017 after several preview performances. 
15 World Premiere Plays
New Jersey may be a short ride to Broadway, but its home to great theatre as well.  In addition to wonderful revivals and productions of recent Broadway and Off-Broadway hits, the state offers audiences the first chance to see many plays each year.  The 2018-19 season lineups for many theatres have been announced and here are 15 World Premieres taking place in New Jersey that caught our eye.
REVIEW: "Linger" at Premiere Stages at Kean
(UNION, NJ) — Craig Garcia’s new play, Linger, gives new meaning to the term “nuclear family” and offers a powerful story, terrific performances, and fine direction by John J. Wooten.  Sadly, it has also changed the way I'll remember my favorite song by The Beach Boys.  I will never hear it without thinking of this play.
Difficult Questions "Linger" at Premiere Stages
There are two key questions at the heart of Craig Garcia’s play “Linger”: How well do parents actually know their children? And what things — even terrible things — are they capable of?






Event calendar
Monday, Aug 20, 2018


MUSIC

Asbury Park Industry Ball 2018 @ House of Independents, Asbury Park - 8:00pm

FINDING FEEBAS @ The Saint, Asbury Park - 7:30pm

Alex Laurenzi Quartet @ 1867 Sanctuary at Ewing, Ewing - 8:00pm


FILM

Eighth Grade @ The Newton Theatre, Newton - 7:00pm

View all events










 






















For more on our awards, click here








New Jersey Stage © 2018 by Wine Time Media, LLC | PO Box 140, Spring Lake, NJ 07762 (732) 280-7625 | info@newjerseystage.com

Images used on this site have been sent to us from publicists, artists, and PR firms.
If there is a problem with the rights to any image, please contact us and we will look into the matter.