B.B. King's Daughter To Release New Album Featuring All Star Cast
originally published: 06/09/2020
Word has already begun to spread all over the world that Blues royal, Shirley King, daughter of legend B.B. King, is about to release a new album that features an amazing cast of blues musicians. Anticipation for Blues For A King, the forthcoming album, is riding high, and now eager fans are about to get their first taste of what’s to come with the release of “I Did You Wrong.” One of the album’s smokin’ hot original tunes, “I Did You Wrong” features none other than Rock Hall Of Famer, Blues Hall Of Famer and founding member of the iconic Paul Butterfield Blues Band, Elvin Bishop! Together, Bishop and King create a quintessential blues ballad, kicking off with Bishop’s ultra sleek guitar that blends perfectly into King’s powerful vocals. For blues purists, it doesn’t get any better!
The song is a highlight on King’s incredible new album, Blues For A King, which crosses musical genres from blues to rock to soul and back again. Even next to such high wattage guests as Joe Louis Walker, Robben Ford, Junior Wells, Pat Travers & Elvin Bishop, King absolutely shines as she performs spectacular version of the blues classics “Gallows Pole” and “Hoodoo Blues Man” as well as the soul hit “Johnny Porter” (originally by The Temptations) plus two songs by British rock band Traffic, “Can’t Find My Way Home” and “Feelin’ Alright?.” The album closes with a powerful version of Etta James’s unforgettable “At Last,” which signals that, at long last, Shirley King is finally getting the attention and recognition she so richly deserves.
Blues For A King will be available on both CD and vinyl starting June 19 from Cleopatra Blues, a subsidiary of Cleopatra Records, Inc.
Born and raised in Memphis, Shirley began singing in the church choir at age nine. When she was thirteen, she met another music legend – Etta James. Young Shirley was so impressed by Etta’s performance that she made Etta her musical role model. Ruth Brown and the late Mahalia Jackson also greatly influenced the fledgling singer. Shirley says, “I grew up around the stage watching my dad become famous, but I never imagined I’d become a blues singer too.” Ms. King came late to the blues, first trying it on in 1990. Within six months, she was a regular performer at famed Chicago blues club Kingston Mines. Two years later she saw the release of her first CD, Jump Through My Keyhole.
In 1999, Shirley released her highly acclaimed blues album, Daughter of the Blues, which featured her soulful, bluesy versions of classics like “Wang Dang Doodle,” “Sweet Home Chicago,” “Every Day I Have the Blues” and, fittingly, “The Thrill is Gone.” Once her father caught her act he lent his full support to Shirley’s efforts at carrying on the blues. She admits that having a legendary father helped open some doors for her, but it was her talent, charisma and high-energy stage presence, along with her big, beautiful singing voice, that put her on the musical map. From traditional blues to gospel to funky R&B to smooth soul, Shirley defies genre and her singing and stage antics never fails to excite her growing number of fans worldwide.
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Shirley also believes in giving back. She has worked with kids as an artist-in-residence with the highly acclaimed Urban Gateways Arts in the Schools Program at Chicago Public Schools and continues to expose school children to the history blues has played in American culture. All in all, Shirley King continues to be the quintessential ambassador for the blues - and that’s something that would certainly make her daddy proud.
"Well, I certainly hope so, it seems like it is," laughed Blues Traveler bassist Ben Wilson as he discussed what the band has been up to and their preparations before they hit the road once again for a Summer tour. "The band has been quite active over the years through touring and we managed to continue to record some records. We've done two kinds of covers records, the first one was a blues record which actually got nominated for a Grammy which was pretty cool and the next one, we did some soul covers. That one wasn't quite as well received but it was sure fun to make. So, it's been really cool; you have this massive success for a decade or so and then you kind of dip below that cultural Gestalt line where you're just kind of bubbling below the surface and you can do just fine there even though you're not on the cover of "The Rolling Stone" and that's kind of what we've been doing. We've had a good run, it has been fantastic and these summer tours where we get together with these other kind of bands of similar eras with similar kinds of hits; we're very fortunate as kind of a neo-hippie jam band from that era that kind of bucked some of the trends that were going on at the time but we were lucky enough to have a couple of hits and that has allowed us to have kind of a different career than just the straight jam bands do; not that that wouldn't be awesome as well because obviously many of them are doing just fine but it's just a slightly different road but it has been wonderful. We didn't rehearse a whole lot because we've been playing together for 38 years but things are good and we're stoked for this upcoming tour."
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